Just Watching Beautiful Swing Can Help Your Golf Skill~!

The golf swing is a complicated movement, but it doesn't need to be! We explain the basics of building your swing from scratch.

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Next up in my Being Basic with Paige golf basics instructional series is FULL SWING! We've been through all the things you need to get prepared - now it's time to actually get hitting. This is a beginners tutorial for people who have never hit a golf ball before (or have only hit a few times), although more intermediate players might get a few good tips out of it as well.

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Missed my other Being Basic videos? Get caught up here...

How to Start Golfing: https://youtu.be/E8aRoBWU2FM
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Enjoy this video showing the evolution of Bach's music from age 10 to 65 years old.

0:00 10 Years Old: Fugue in E Minor, BWV 945, 1695
0:48 15 Years Old: Christ, der du bist der helle Tag, BWV 766, Partita I, 1700
1:29 19 Years Old: Capriccio in B-Flat Major, BWV 992, I. Arioso - Adagio, 1704
2:05 22 Years Old: Toccata and Fugue in D Minor, BWV 565, 1707
2:54 25 Years Old: Prelude in A Minor, BWV 922, 1710
3:21 29 Years Old: Toccata in G Major, BWV 916, 1714
4:05 31 Years Old: In dir ist Freude, BWV 615, 1716
4:49 32 Years Old: Prelude in C Major, BWV 939, 1717
5:23 35 Years Old: Partita No. 3 in E Major, BWV 1006, I. Preludio, 1720
6:15 37 Years Old: Prelude in C Major, BWV 846, 1722
6:48 38 Years Old: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) - Herz und Mund und Tat und Leben, BWV 147, No. 10, 1723
7:39 40 Years Old: Minuet in D Minor, BWV Anh. 132, 1725
8:25 41 Years Old: Partita in C Minor, BWV 826, I. Sinfonia, 1726
9:15 42 Years Old: Partita in A Minor, BWV 827, I. Fantasia, 1727
9:58 43 Years Old: Partita in D Major, BWV 828, I. Ouverture, 1728
10:52 45 Years Old: Partita in E Minor, BWV 830, I. Toccata, 1730
11:32 46 Years Old: Air on the G String - Orchestral Suite No. 3 in D Major, BWV 1068, No. 2, 1731
12:23 50 Years Old: Sinfonia Pastorale in G Major - Weihnachtsoratorium (Christmas Oratorio), BWV 248, No. 10, 1735
13:07 51 Years Old: Kommt, ihr Töchter, helft mir klagen - Matthäuspassion (St Matthew Passion), BWV 244, No. 1, 1736
13:52 55 Years Old: Prelude in C Major, BWV 870, 1740
14:35 56 Years Old: Goldberg Variations, BWV 988, I. Aria, 1741
15:18 61 Years Old: Die Kunst der Fuge (The Art of the Fugue), BWV 1080, Contrapunctus I, 1746
16:05 62 Years Old: Musikalisches Opfer (The Musical Offering), BWV 1079, Ricercar a 3, 1747
16:59 63 Years Old: Wachet auf, ruft uns die Stimme, BWV 645, 1748
17:46 65 Years Old: Vor deinen Thron tret' ich (Before Your Throne I Now Appear), BWV 668, 1750

Composer(s): Johann Sebastian Bach

Original Music: Johann Sebastian Bach © (1695-1750)

The Bachfest Leipzig is marking a special anniversary in 2023: In the year 1723, so exactly 300 years ago, Johann Sebastian Bach (1685 – 1750) took up his post as cantor of St. Thomas Church in the Saxon city. This involved composing, arranging, and conducting the music for worship in several churches on around 60 days of the year, as well as teaching pupils at the St. Thomas School. To accomplish this mammoth task, Bach composed new cantatas or parodied earlier works at a rate of almost one a week during his first year in office alone. The compositions, which later became known as Bach’s “first cantata cycle in Leipzig,” not only astonished his contemporaries but continue to delight people to this day. These compositions are extraordinary not only for their diversity but also for the way in which Bach reworked traditional musical forms and expanded the genre into new creative terrain – all in the space of one year between 1723 and 1724. Despite their technical challenges, these cantatas are among the Baroque composer’s most popular and frequently performed works.

Ton Koopman, Bach expert and international star of early music, has chosen four favorites from the last quarter of Bach’s first cantata cycle in Leipzig, which he is performing with the Amsterdam Baroque Orchestra & Choir at the St. Thomas Church in Leipzig. In addition, there are two interviews in which Michael Maul, artistic director of the Bachfest Leipzig, asks Ton Koopman about the unique features of the four cantatas. Enjoy an informative as well as musically first-class cantata concert!

At a glance:
(00:00) Welcome of conductor Ton Koopman and the Amsterdam Baroque Orchestra & Choir by Michael Maul, artistic director of the Bachfest Leipzig
(00:55) Interview with Ton Koopman on the Bach cantata “Christ lag in Todes Banden” (BWV 4.2)
(05:39) Interview on “Erfreut euch, ihr Herzen” (BWV 66.3)
(07:44) Christ lag in Todes Banden (Christ Lay in Death’s Bonds) (BWV 4.2)
(30:14) Erfeut euch, ihr Herzen (Rejoice, You Hearts) (BWV 66.3)
(1:01:11) Interview on the Bach cantata “Wer da gläubet und getauft wird” (BWV 37)
(1:06:10) Interview on the cantata “Du Hirte Israel, höre“ (BWV 104)
(1:14:01) Wer da gläubet und getauft wird (He Who Believes and Is Baptized) (BWV 37)
(1:31:24) Du Hirte Israel, höre (You Shepherd of Israel, Hear) (BWV 104)

Performers:
Elisabeth Breuer | SOPRANO
Maarten Engeltjes | ALTUS
Tilman Lichdi | TENOR
Klaus Mertens | BASS

AMSTERDAM BAROQUE ORCHESTRA & CHOIR
Susan Jonkers, Caroline Andrade, Ana-Marija Brkic, Maria Goetze, Elisabeth Blom | SOPRANO
Jonathan de Ceuster, Iris Bouman, Rob Cuppens, Mieke van Laren, Peter de Groot | ALTUS
Henk Gunneman, Martí Doñate, Chris Postuma, Guido Groenland, Emanuele Petracco | TENOR
Donald Bentvelsen, Hans Wijers, Vincent de Soomer, Michiel Meijer, Andreas Goetze | BASS

Catherine Manson, Marta Jiménez, Anna Ryu, Rie Kimura | VIOLIN I
John Wilson Meyer, VIOLIN I, VIOLA
David Rabinovich, Marc Cooper, Daphne Oltheten | VIOLIN II
Liesbeth Nijs | VIOLIN II, VIOLA
John Crockatt, Annemarie Kosten-Dür | VIOLA
Robert Smith, Konstanze Waidosch | CELLO
Michele Zeoli | DOUBLE BASS
Antoine Torunczyk, Clara Espinosa Encinas, Stephan Esmeijer | OBOE
Martin Bolterauer | CORNETT
Simen van Mechelen, Claire McIntyre, Joost Swinkels | TROMBONE
Nicolas Isabelle | TRUMPET
Wouter Verschuren | BASSOON
Kathryn Cok | ORGAN

Ton Koopman | CONDUCTING & ORGAN

Dutch conductor, organist, harpsichordist, and university lecturer Ton Koopman is one of the leading interpreters of early music with a particular accent on historically informed performance practice. Koopman founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Choir in 1992, which now performs together as the Amsterdam Baroque Orchestra & Choir. Among many other works, Koopman has recorded all of Bach's cantatas with this ensemble specializing in early music. Ton Koopman has been President of the Leipzig Bach Archive (Bach-Archiv Leipzig) since 2019.


© Deutsche Welle/Bachfest Leipzig, 2023

Thumbnail photo: © Foppe Schut

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#bach #cantata #baroquemusic

This album contains the French Suites by J.S. Bach, presented by Piano Classics, a label of Brilliant Classics.

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“China’s premier interpreter of Bach”, is what International Piano Magazine called Yuan Sheng. A pupil of Solomon Mikowsky (Manhattan School of Music) and notably Rosalyn Tureck, Yuan Sheng extensively studied the performance practice of Baroque music. Equally at home at the harpsichord he has an instinctive feeling for the possibilities, sonorities and touch of the instrument at hand, so that “the listener might easily have imagined the composer at the keyboard” (Boston Intelligencer).

The title is misleading: the English Suites are more ‘French’ in character than the French Suites, which are more characteristic of the Italian style. ‘By design the composer is here less learned than in his other suites,’ remarked one early biographer, ‘and has mostly used a pleasing, more predominant melody.’ Just so, and the same is true of the pair of suites BWV 818 and 819 which fall outside the collection but belong with it in terms of style. To all of them Yuan Sheng brings considered tempi and precise articulation in the mould of Tureck. To Bach at his most uncomplicated, Sheng brings the virtues of simplicity and clarity.

Again Yuan Sheng draws the listener into his highly intelligent musical discourse, vibrant and moving, speaking through the medium of a modern Steinway piano.

Composer: Johann Sebastian Bach
Artist: Yuan Sheng (piano)

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Tracklist:

French Suite No. 1 in D Minor, BWV 812:
0:00:00 I. Allemande
0:04:05 II. Courante
0:06:17 III. Sarabande
0:09:43 IV. Menuet I & II
0:13:04 V. Gigue

French Suite No. 2 in C Minor, BWV 813:
0:15:55 I. Allemande
0:18:52 II. Courante
0:21:05 III. Sarabande
0:24:29 IV. Air
0:26:03 V. Menuet I & II
0:29:24 VI. Gigue

French Suite No. 3 in B Minor, BWV 814:
0:31:48 I. Allemande
0:35:10 II. Courante
0:37:31 III. Sarabande
0:40:52 IV. Angloise
0:42:42 V. Menuet and Trio
0:46:17 VI. Gigue

French Suite No. 4 in E-Flat Major, BWV 815:
0:48:12 I. Allemande
0:51:29 II. Courante
0:53:19 III. Sarabande
0:56:21 IV. Gavotte
0:57:54 V. Menuet
0:58:47 VI. Air
1:00:27 VII. Gigue

French Suite No. 5 in G Major, BWV 816:
1:02:45 I. Allemande
1:05:52 II. Courante
1:07:33 III. Sarabande
1:12:40 IV. Gavotte
1:13:57 V. Bourée
1:15:22 VI. Loure
1:17:06 VII. Gigue

French Suite No. 6 in E Major, BWV 817:
1:20:39 I. Allemande
1:23:49 II. Courante
1:25:34 III. Sarabande
1:29:21 IV. Gavotte
1:30:34 V. Polonaise
1:32:02 VI. Menuet
1:33:18 VII. Bourée
1:34:55 VIII. Gigue

Suite in A Minor, BWV 818:
1:37:29 I. Allemande
1:41:08 II. Courante
1:42:33 III. Sarabande simple
1:45:56 IV. Sarabande double
1:48:31 V. Gigue

Suite in E-Flat Major, BWV 819:
1:51:08 I. Allemande
1:54:17 II. Courante
1:56:24 III. Sarabande
2:01:09 IV. Bourrée
2:02:55 V. Menuet I & II

Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for other pieces by J.S. Bach and more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID

#Bach #Classical #Piano #Music #YuanSheng #JSBach #PianoClassics #BrilliantClassics

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JOHANN SEBASTIAN BACH
Greatest Hits

01 Brandenburg Concerto No. 3 in G Major, BWV 104
I. Allegro 00:00
II. Adagio 05:56
III. Allegro 06:21
02 Brandenburg Concerto No. 4 in G Major, BWV 1049
I. Allegro 11:08
II. Andante 18:22
III. Presto 22:02
03 Brandenburg Concerto No. 5 in D Major, BWV 1050
I. Allegro 27:06
II. Affettuoso 37:46
III. Allegro 43:25
▶ BUY Brandenburg Concertos No. 3, 4 & 5: http://bit.ly/2Hxlwek
04 Piano Concerto No. 1 in D minor, BWV 1052
I. Allegro 48:56
II. Adagio 57:09
III. Allegro 1:03:48
▶ BUY Piano Concerto No. 1: http://bit.ly/2KhTSzG
05 Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande 1:11:52
▶ BUY Sarabande: http://bit.ly/2EGTuGO
06 Orchestral Suite No. 2 in B Minor, BWV 1067
I. Ouverture. Lentamente 1:14:33
II. Rondeau 1:22:17
III. Sarabande 1:23:47
IV. Bourrées 1:26:45
V. Double 1:28:45
VI. Minuetto 1:32:12
VII. Badinerie 1:33:28
▶ BUY Suite No. 2: http://bit.ly/2KeAbIQ
07 The Well-Tempered Clavier, Book 1, Prelude and Fugue No 16 in G Minor, BWV 861 1:34:49
08 Ave Maria 1:39:39
09 Notebooks for Anna Magdalena Bach: Menuet in G Minor, BWV Anh. 114 1:41:23
10 Orchestral Suite No. 3 in D Major, BWV 1068: II. Aria 1:42:41
▶ BUY “Bach – Piano Solo”: http://bit.ly/2JrL0Gd

1, 2, 3 & 6: Orchestra da Camera Fiorentina cond. by Giuseppe Lanzetta
4: Stanislav Soloviev (piano), Metamorphose String Orchestra cond. by Pavel Lyubomudrov
5: Sarah Joy
7 & 8: Carlo Balzaretti
9 & 10: Giovanni Umberto Battel

Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. Bach enriched established German styles through his mastery of counterpoint, harmonic and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.

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All the best classical music ever on Halidon Music Youtube Channel: The very best of Mozart, Beethoven, Bach, Chopin, Tchaikovsky, Vivaldi, Schubert, Handel, Liszt, Haydn, Strauss, Verdi, Brahms, Wagner, Mahler, Rossini, Ravel, Grieg, Dvorák…

#classicalmusic #bach

Hi everyone! We could *really* use your help—please nominate/vote for us, it’s free and easy :)
There's a lot of categories this year (14), but it will only take you a minute, and it will help us so much. Just a few votes can make a huge difference! Thank you from Hanneke and David, Directors, Voices of Music

SFCV Audience Choice Awards 2022-2023 linky:
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Part 1. Who was your favorite performer in each of the following categories?
Chamber Music Ensemble: Voices of Music
Dance Soloist: Kaili Chen
Early/Baroque Ensemble: Voices of Music
Orchestra: Voices of Music
Conductor Hanneke van Proosdij
Instrumental Soloist: Augusta McKay Lodge

2. Which was your favorite single performance (single concert or production) in each of the following categories? As appropriate, please list the ensemble or company and the specific program or name of the production.

Chamber Music: Voices of Music: Musica Transalpina: Chamber music from Italy and England
Dance: Voices of Music Wu Song and the Tiger
Early Music/Baroque: Voices of Music Holiday Concertos: Bach, Telemann & Vivaldi
New Music: Voices of Music Wu Song and the Tiger
Orchestra: Voices of Music Holiday Concertos: Bach, Telemann & Vivaldi
with soloists Elizabeth Blumenstock, YuEun Kim, Kati Kyme and Marc Schachman
Instrumental Recital: Voices of Music Musica Transalpina: Chamber music from Italy and England

8. What was your favorite streaming performance or series? Please include artist/ensemble and program.
Favorite Streaming Performance or Series: Voices of Music Sundays at Ten

The second movement, Aria, from Bach's orchestral suite in D Major, BWV 1068, performed on original instruments from the time of Bach by the Early Music ensemble Voices of Music. Please subscribe to our channel https://www.youtube.com/Voices....ofMusic/?sub_confirm Buy CDshttps://kunaki.com/msales.asp?PublisherId=111319&pp=1
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A. Donate here: https://voicesofmusic.org/donate.html and we will make more
videos like this one :)
Voices of Music
Hanneke van Proosdij & David Tayler, directors
The musicians and their instruments
Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754
Maxine Nemerovski, baroque violin by Timothy Johnson, Indiana, 1999 (after Stradivarius)
Elizabeth Blumenstock, baroque violin by Andrea Guarneri, Cremona, 1660
Kati Kyme, baroque violin by Johann Gottlob Pfretzschner, Mittenwald, 1791
Lisa Grodin, baroque viola by Mathias Eberl, Salzburg, Austria, 1680
William Skeen, five string baroque cello, Anonymous, Italy, c1680
Farley Pearce, violone by George Steppani, Manchester, 1985,
after Amati, 1560
David Tayler, archlute by Andreas von Holst, Munich, 2012
after Magno Tieffenbrucker, Venice, c1610
Hanneke van Proosdij, baroque organ by Winold van der Putten, Finsterwolde, Netherlands, 2004, after early 18th-century
northern German instruments
#Bach #AirontheGString

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal): https://brilliant-classics.lnk.....to/BachSuitesForCel

In May 2014 the Hungarian cellist István Várdai performed three Bach Suites at an unusual venue in New York: not the storied glamour of Carnegie Hall or the hip 92st St Y, but the Board of Officers Room in the recently renovated Armory on Park Avenue, a room no less redolent of distinguished history: to which he made his own distinguished contribution according to the New York Times, with a recital which concluded with a ‘superb’ performance of the Sixth Suite.

Bach’s iconic solo suites form the pinnacle of the entire cello repertoire, the ultimate challenge and a Mount Everest every young and aspiring cellist has to climb, no matter how often that has already been done.

Young Hungarian cellist István Várdai is winner of the Geneva Competition, 3rd prize Tchaikovsky Competition 2007 and first prize winner of the prestigious ARD competition in 2014. He embarked on a successful international career, having played with Mikhael Pletnev, Adám Fischer, Zoltán Kocsis, and chamber music partner of Gidon Kremer, Mischa Maisky, Elisabeth Leonskaja, Andras Schiff, Klára Würtz and many others.

Tracklist:
00:00:00 Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
00:02:52 Cello Suite No. 1 in G Major, BWV 1007: II. Allemande
00:07:08 Cello Suite No. 1 in G Major, BWV 1007: III. Courante
00:10:01 Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande
00:12:39 Cello Suite No. 1 in G Major, BWV 1007: V. Menuet I & II
00:15:56 Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue 1
00:17:32 Cello Suite No. 3 in C Major, BWV 1009: I. Prelude
00:21:25 Cello Suite No. 3 in C Major, BWV 1009: II. Allemande
00:25:07 Cello Suite No. 3 in C Major, BWV 1009: III. Courante
00:28:29 Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande
00:32:30 Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I & II
00:36:13 Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue
00:39:31 Cello Suite No. 5 in C Minor, BWV 1011: I. Prelude
00:46:20 Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande
00:51:10 Cello Suite No. 5 in C Minor, BWV 1011: III. Courante
00:53:20 Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande
00:57:12 Cello Suite No. 5 in C Minor, BWV 1011: V. Gavotte I & II
01:02:08 Cello Suite No. 5 in C Minor, BWV 1011: VI. Gigue
01:04:17 Cello Suite No. 2 in D Minor, BWV 1008: I. Prelude
01:08:20 Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande
01:11:27 Cello Suite No. 2 in D Minor, BWV 1008: III. Courante
01:13:29 Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande
01:17:48 Cello Suite No. 2 in D Minor, BWV 1008: V. Menuet I & II
01:20:38 Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue
01:23:12 Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prelude
01:27;45 Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande
01:32:06 Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante
01:35:47 Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande
01:40:09 Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrée I & II
01:45:04 Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue
01:47:48 Cello Suite No. 6 in D Major, BWV 1012: I. Prelude
01:52:54 Cello Suite No. 6 in D Major, BWV 1012: II. Allemande
02:01:12 Cello Suite No. 6 in D Major, BWV 1012: III. Courante
02:05:10 Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande
02:10:45 Cello Suite No. 6 in D Major, BWV 1012: V. Gavotte I & II
02:14:38 Cello Suite No. 6 in D Major, BWV 1012: VI. Gigue

Artist:
István Várdai (cello)

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#Bach #Suites #Cello

*Rectification: the key in the title of this video is accidentally misspelled as 'C major' instead of 'G major'.
The six cello suites, of which Lucia Swarts plays the first here for All of Bach, have been handed down in a beautiful manuscript by Bach's wife Anna Magdalena, which raises many questions. Bach’s first cello suite became his most famous one. The cellist begins the well-known, comforting prelude in a gentle, radiant G major. The first bars are dominated by the single G, D and A strings, resulting in great resonance.

This recording was made in the Rijksmuseum, Amsterdam. It is the most famous Dutch national museum dedicated to arts and history. The room in which this recording was made, was chosen according to paintings that fitted with the Cello Suite in G major.

Recorded on June 30th 2014 at the Rijksmuseum, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel http://bit.ly/2vhCeFB or consider donating http://bit.ly/2uZuMj5.

This recording was made possible by Ammodo, Institute of Arts and Sciences: https://www.ammodo.org

For the complete set of Cello Suites go to: https://www.youtube.com/playli....st?list=PLecKPCyj4yR
For the interview with cellist Lucia Swarts on BWV 1007 (music) go to https://www.youtube.com/watch?v=y8cfC-O-bZA
For the interview with cellist Lucia Swarts on BWV 1007 (manuscript) go to https://www.youtube.com/watch?v=CbONHocuCYM
For the interview with cellist Lucia Swarts on the cello go to https://www.youtube.com/watch?v=xH7CRAxGQdM
For more information on BWV 1007 and this production go to http://allofbach.com/en/bwv/bwv-1007/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material https://www.bachvereniging.nl/en/allofbach. For concert dates and further information go to https://www.bachvereniging.nl/....nederlandse-bachvere

Lucia Swarts, cello
Instrument: Pieter Rombouts, 1705

0:00 Prelude
2:39 Allemande
6:24 Courante
9:17 Sarabande
12:06 Menuet I & II
15:39 Gigue

J.S. Bach Brandenburg Concertos 1 - 6

Disc 1
1. Brandenburg Concerto No. 1 in F, BWV 1046 0:00
2. Brandenburg Concerto No. 3 in G, BWV 1048 17:54
3. Brandenburg Concerto No. 5 in D, BWV 1050 28:22

Disc 2
4. Brandenburg Concerto No. 6 in B flat, BWV 1051 47:25
5. Brandenburg Concerto No. 4 in G, BWV 1049 1:03:55
6. Brandenburg Concerto No. 2 in F, BWV 1047 1:20:01

Johann Sebastian Bach (1685-1750).
Brandenburg Concertos.

Concerto nº1 in F major BWV 1046
1. (no tempo indication)
2. Adagio
3. Allegro
4. Menuetto-Trio I-Polacca-Trio II

Concerto nº2 in F major BWV 1047
5. (no tempo indication)
6. Andante
7. Allegro assai

Concerto nº3 in G major BWV 1048
8. (no tempo indication)
9. Adagio - Allegro

Concerto nº4 in G major BWV 1049
10. Allegro
11. Andante
12. Presto

Concerto nº5 in D major BWV 1050
13. Allegro
14. Affettuoso
15. Allegro

Concerto nº6 in B flat major BWV 1051
16. (no tempo indication)
17. Adagio ma non tanto
18. Allegro

Soloists

Orchestra Of The Age Of Enlightenment
Bach, una de las cimas...

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CLASSICAL MUSIC FOR BRAIN POWER
JOHANN SEBASTIAN BACH

01 Brandenburg Concerto No. 4 in G Major, BWV 1049:
I. Allegro 00:00
II. Andante 07:12
III. Presto 10:52
02 Brandenburg Concerto No. 5 in D Major, BWV 1050:
I. Allegro 15:56
II. Affettuoso 26:37
III. Allegro 32:15
Orchestra da Camera Fiorentina cond. by Giuseppe Lanzetta

03 Harpsichord Concerto No. 1 in D minor, BWV 1052 (Arr. for Piano)
I. Allegro 37:46
II. Adagio 45:59
III. Allegro 52:37
Stanislav Soloviev (piano), Metamorphose String Orchestra cond. by Pavel Lyubomudrov

04 Suite No. 2 in B Minor, BWV 1067:
I. Ouverture. Lentamente 1:00:39
II. Rondeau 1:08:25
III. Sarabande 1:09:54
IV. Bourrées 1:12:53
V. Double 1:14:53
VI. Minuetto 1:18:20
VII. Badinerie 1:19:36
Orchestra da Camera Fiorentina cond. by Giuseppe Lanzetta

05 Brandenburg Concerto No. 3 in G Major, BWV 1048:
I. Allegro 1:20:56
II. Adagio 1:26:54
III. Allegro 1:27:20
Orchestra da Camera Fiorentina cond. by Giuseppe Lanzetta
06 Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande 1:32:04
Sarah Joy

07 The Well-Tempered Clavier, Book 1, Prelude and Fugue No 16 in G Minor, BWV 861 1:34:45
08 Ave Maria 1:39:34
Carlo Balzaretti (solo piano)
09 Orchestral Suite No. 3 in D Major, BWV 1068: II. Aria 1:41:18
10 Notebooks for Anna Magdalena Bach: Menuet in G Minor, BWV Anh. 114 1:47:40
Giovanni Umberto Battel (solo piano)

Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. Bach enriched established German styles through his mastery of counterpoint, harmonic and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.

---

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#bach #classicalmusic #baroquemusic #classicalmusicforstudying #brainpower #focus #concentration

Delve into the harmonious marriage of classical masterpieces by the king of Baroque, J. S. Bach, and contemporary gym endeavors, all while indulging in the charm of a bygone era.Dust off your finest activewear and join us in our spirited pursuit of health and total wellbeing.

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This playlist is intended as a showcase of great songs which cultural legacy much be preserved by means of exposure and discussion.

Copyright Disclaimer:
Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, SCHOLARSHIP, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. All rights to the created owner. This video is just for cultural education purposes only.

Classical masterpieces to increase focus and productivity in your work or study environment.

This playlist features compositions from Bach, Beethoven, Mozart, and other great composers, providing the perfect soundtrack to help you concentrate and stay motivated throughout your day.

Whether you're an entrepreneur, professional, or student, immerse yourself in the inspiring world of classical music and elevate your performance.

Track List
00:00 The Four Seasons - Summer in G Minor, RV. 315# III. Presto by Antonio Vivaldi
02:38 Danse macabre by Camille Saint-Saëns
09:44 Carmina Burana# O Fortuna by Carl Orff
12:23 Symphony No. 5 in D Minor, Op. 47# IV. Allegro non troppo by Dmitri Shostakovich
17:24 Peer Gynt Suite No. 1, Op. 46# 4. In the Hall of the Mountain King by Edvard Grieg
19:54 Carmen Suite No. 1# Les toréadors by Georges Bizet
22:23 Radetzky-Marsch, Op. 228 by Johann Strauss II
25:46 Symphony No. 5 in C Minor, Op. 67# 1. Allegro con brio by Ludwig van Beethoven
32:49 1812 Overture by Pyotr Ilyich Tchaikovsky
48:39 Romeo and Juliet, Suite No. 2, Op. 64ter# I. Montagues and Capulets (Dance of the Knights) (extract) by Sergei Prokofiev

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Watch pianist Víkingur Ólafsson (“Artist of the Year” at the Gramophone Awards 2019) perform the Andante from Bach's Organ Sonata No. 4, as transcribed for the piano by August Stradal, from his album 'J. S. Bach - Works & Reworks'. The video was directed by Magnús Leifsson.


Víkingur Ólafsson – Bach: Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. Stradal)
Discover 'Bach: Works and Reworks": https://DG.lnk.to/bach-deluxe
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Concert dates on his website: https://vikingurolafsson.com/

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#ClassicalMusic #Bach #VíkingurÓlafsson

Complete Brandenburg Concertos by Johann Sebastian Bach (BWV 1046-1051), some of the best orchestral compositions of the Baroque era.
__________
Track list:
00:00 - Brandenburg Concerto no. 1 in F major, BWV 1046 - I. [no tempo indication]
04:12 - Brandenburg Concerto no. 1 in F major, BWV 1046 - II. Adagio in D minor
09:12 - Brandenburg Concerto no. 1 in F major, BWV 1046 - III. Allegro
14:01 - Brandenburg Concerto no. 1 in F major, BWV 1046 - IV. Menuet
20:47 - Brandenburg Concerto no. 2 in F major, BWV 1047- I. [no tempo indication]
26:04 - Brandenburg Concerto no. 2 in F major, BWV 1047- II. Andante in D minor
29:35 - Brandenburg Concerto no. 2 in F major, BWV 1047- III. Allegro assai
32:33 - Brandenburg Concerto no. 3 in G major, BWV 1048 - I. [no tempo indication]
39:29 - Brandenburg Concerto no. 3 in G major, BWV 1048 - II. Adagio in E minor
41:17 - Brandenburg Concerto no. 3 in G major, BWV 1048 - III. Allegro
44:58 - Brandenburg Concerto no. 4 in G major, BWV 1049 - I. Allegro
52:26 - Brandenburg Concerto no. 4 in G major, BWV 1049 - II. Andante in E minor
56:40 - Brandenburg Concerto no. 4 in G major, BWV 1049 - III. Presto
1:02:23 - Brandenburg Concerto no. 5 in D major, BWV 1050 - I. Allegro
1:13:53 - Brandenburg Concerto no. 5 in D major, BWV 1050 - II. Affettuoso in B minor
1:20:09 - Brandenburg Concerto no. 5 in D major, BWV 1050 - III. Allegro
1:25:41 - Brandenburg Concerto No. 6 in B-flat major, BWV 1051 - I. [no tempo indication]
1:33:16 - Brandenburg Concerto No. 6 in B-flat major, BWV 1051 - II. Adagio ma non tanto
1:39:24 - Brandenburg Concerto No. 6 in B-flat major, BWV 1051 - III. Allegro

Tags: classical music, classical music for studying, bach, brandenburg concertos, baroque music

#classicalmusic #bach #brandenburg

The Magnificat, performed by the Netherlands Bach Society for All of Bach, is the first large choral work that Bach composed after his appointment in Leipzig in the spring of 1723. It is an ‘old-fashioned’ but delightful five-voiced work that uses Latin, just like the other rarity among Bach’s works, the Mass in B minor.

Recorded for the project All of Bach on May 2nd 2014 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel http://bit.ly/2vhCeFB or consider donating http://bit.ly/2uZuMj5.

For the interview with soprano Hana Blažíková on Magnificat go to https://www.youtube.com/watch?v=PAV8CYGZd_U
For the interview with conductor Jos van Veldhoven on BWV 243 go to https://youtu.be/bckm3TR4kqE
For the interview with cellists Lucia Swarts and Richte van der Meer on BWV 243 go to https://www.youtube.com/watch?v=VZrLgPRV3ww
For the interview with tenor Thomas Hobbs on BWV 243 go to https://www.youtube.com/watch?v=a7M3aqwDvPo
For the interview with trumpet player Robert Vanryne on BWV 243 go to https://www.youtube.com/watch?v=M4fW3ARAU98
For more information on BWV 243 and this production go to http://allofbach.com/en/bwv/bwv-243/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material http://allofbach.com/en/. For concert dates and further information go to https://www.bachvereniging.nl/....nederlandse-bachvere

Netherlands Bach Society
Jos van Veldhoven, conductor
Julia Doyle, soprano 1
Hana Blažíková, soprano 2
Maarten Engeltjes, alto
Thomas Hobbs, tenor
Christian Immler, bass

0:00 Magnificat (Coro)
3:05 Et Exsultavit (Aria)
5:28 Quia Respexit (Aria)
8:12 Omnes (Coro)
9:36 Quia Fecit (Aria)
11:49 Et misericordia (Duetto)
15:28 Fecit Potentiam (Coro)
17:25 Deposuit (Aria)
19:34 Esurientes (Aria)
22:26 Suscepit Israel (Terzetto)
24:30 Sicut Locutus Est (Coro)
26:14 Gloria Patri (Coro)

Das "Air" von Johann Sebastian Bach aus der 3. Suite für Orchester (D-Dur; BWV 1068), 2. Satz. Einfach zurücklehnen, ins Grüne schauen und genießen.

The "Air" by Johann Sebastian Bach from the 3rd orchestral suite (D minor; BWV 1068), 2nd movement. Just lean back, look into the green and enjoy.

Photo 2005 by Nebelwarner: Forest at the "Venner Moor" near the city of Senden (German state North Rhine-Westphalia).

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00:00:00 - Overture (Suite) No. 3 in D Major, BWV 1068: II. Air, "Air on a G String"
00:05:19 - Brandenburg Concerto No. 2 in F Major, BWV 1047
00:10:09 - Concerto for 2 Violins in D Minor, BWV 1043
00:14:01 - Harpsichord Concerto in F Minor, BWV 1056: II. Largo
00:17:06 - Harpsichord Concerto in D Major, BWV 1045
00:25:07 - Violin Concerto in E Major, BWV 1042
00:33:07 - Concerto for Flute, Violin, Harpsichord and Strings in A Minor, BWV 1044, "Triple Concerto"
00:41:35 - Brandenburg Concerto No. 3 in G Major, BWV 1048
00:46:41 - Concerto for Violin and Oboe in C Minor, BWV 1060: I. Allegro
00:52:06 - Harpsichord Concerto in E Major, BWV 1053
01:00:23 - Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
01:01:49 - Toccata and Fugue in D Minor, BWV 565: Toccata
01:05:01 - Goldberg Variations, BWV 988: I. Aria
01:09:18 - Cello Suite No. 1 in G Major, BWV 1007: Prelude
01:12:02 - Concerto in the Italian Style, BWV 971, "Italian Concerto": I. Allegro
01:16:09 - Herz und Mund und Tat und Leben, BWV 147: X. Jesu, joy of man's desiring
01:19:40 - Violin Partita No. 3 in E Major, BWV 1006: I. Preludio
01:24:00 - Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro
01:30:56 - Well-Tempered Clavier, Book I: Prelude and Fugue No. 1 in C Major, BWV 846
01:28:04 - Anna Magdalena Notenbuch: Minuet in G Major, BWV Anh 114
01:37:20 - Violin Concerto in A Minor, BWV 1041: III. Allegro assai
01:41:25 - Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Adagio
01:38:24 - Cantata Nº 208, 'Sheep May Safely Graze', BWV 208
01:46:25 - Air on the G String Suite No. 3, BWV 1068
01:46:21 - Double Violin Concerto in D minor BWV1043 - Largo ma non tanto

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Check our Fantastic Selection with the best Classical Music for Relaxation, Meditation, Focus, Reading, Studying and Stress Relief:
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Check our channel including the best music from Grieg, Mozart, Beethoven, Bach, Vivaldi, Debussy, Brahms, Handel, Chopin, Schubert, Haydn, Dvorak, Schumann, Tchaikovsky and many more:
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#classicalmusic #relaxing #bach

Volume 1 of the Complete Concertos by J.S. Bach. Although J.S. Bach used the word ‘concerto’ to refer to many of his church cantatas (the ones that he did not call, simply, ‘Stück’, or ‘piece’), the word’s Italian etymology usually denotes an ensemble work in which a particular element comes to the fore.

Check out Volume 2: https://www.youtube.com/watch?v=AjBoL9E8uIk

Composer: Johann Sebastian Bach
Artists: Pieter-Jan Belder (harpsichord), Christine Schornsheim (harpsichord), Musica Amphion, Neues Bachisches Collegium Musicum & Netherlands Bach Ensemble

🎵Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): https://brilliant-classics.lnk.....to/BachCompleteConc
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🎬🎮 These tracks are available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicsl....icensing.com/albums/

Bach familiarised himself with the early Italian instrumental concerto tradition, produced by composers such as Albinoni and Torelli, with his characteristic thoroughness even before producing the Brandenburg concertos which he wrote while Kapellmeister in Weimar, in vain hope of preferment to a more glamorous posting to the court of the eponymous Margrave in Berlin.

The concertos of Antonio Vivaldi swept across Europe from 1711 onwards with the publication of his Op.3 set, ‘L’Estro Armonico’. Vivaldi set the standard for the shape, the style and the virtuosity of what we understand today as the concerto form, perfected in Bach’s own output in the D minor harpsichord concerto, BWV1052. Bach himself transcribed several of Vivaldi’s concertos, both for solo keyboard and for chamber groupings – most famously the B minor concerto, originally with four solo violin parts, which Bach thrillingly amplified for four harpsichords. All this music is contained within this indispensable 9CD set.

The performances here are all historically informed in style, if not all played on instruments either from or closely modelled on those used in Bach’s time. ‘Modern’-instrument performances include the concertos which survive in versions for solo violin – though Bach probably wrote them originally with the harpsichord in mind – in which Thomas Zehetmair is both soloist and director of the Amsterdam Bach Soloists with his characteristically bold and incisive sound and interpretative insight. The oboe concerto recordings are Lithuanian in origin, with Andrius Puskingis again soloist/ director with the St Christopher Chamber Orchestra, in sprightly and mellifluous readings.

The tracklist can be found in the pinned comment.

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The St Matthew Passion performed by the Netherlands Bach Society for All of Bach. Whether or not they are an enthusiast of classical music, practically everyone in the Netherlands knows the St Matthew Passion. Since 1870 the Netherlands has had a rich tradition of annual St Matthew Passion performances. The Netherlands Bach Society was formed in 1921, in reaction to the popular performances by Willem Mengelberg and the Concertgebouw Orchestra. The founders believed that the St Matthew should be performed where it belonged – in a church. The annual performance by the Bach Society in Naarden grew to become 'the' Dutch St Matthew Passion.

Recorded for the project All of Bach on April 16th and 19th 2014 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel http://bit.ly/2vhCeFB or consider donating http://bit.ly/2uZuMj5.

For the documentary about our performance of St Matthew Passion go to https://www.youtube.com/watch?v=yvlL-WHXK_w
For the interview with violinist Shunske Sato on BWV 244 go to https://www.youtube.com/watch?v=ak0Pxyt9Qfw
For the interview with conductor Jos van Veldhoven on BWV 244 (St Matthew tradition) go to https://www.youtube.com/watch?v=T-ShZbOGdV8
For the interview with conductor Jos van Veldhoven on BWV 244 (manuscript) go to https://www.youtube.com/watch?v=53VrYf_8B0I
For the interview with conductor Jos van Veldhoven on BWV 244 (rhetoric) go to https://www.youtube.com/watch?v=LNBD3PYKXWQ
For the interview with tenor Charles Daniels on BWV 244 go to https://www.youtube.com/watch?v=CC93_G3FgTY
For more information on BWV 244 and this production go to http://allofbach.com/en/bwv/bwv-244/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material http://allofbach.com/en/. For concert dates and further information go to https://www.bachvereniging.nl/....nederlandse-bachvere

Netherlands Bach Society
Kampen Boys Choir
Jos van Veldhoven, conductor

Soloists Coro 1
Benjamin Hulett, evangelist
Griet De Geyter (First Maid, Pilate’s Wife), soprano
Tim Mead, alto
Robert Murray, tenor
Andreas Wolf (Jesus), bass

Soloists Coro 2
Lore Binon, soprano
Alex Potter (First Witness), alto
Charles Daniels (Second Witness), tenor
Sebastian Noack (Judas, Pilate), bass

0:00 Kommt, ihr Töchter (Chor)
8:46 Herzliebster Jesu (Choral)
10:02 Ja nicht auf das Fest (Chor)
10:49 Wozu dienet dieser Unrat? (Chor)
12:50 Du lieber Heiland (Arioso)
13:46 Buss und Reu (Arie)
18:08 Blute nur (Arie)
23:03 Wo willst du (Chor)
24:50 Herr, bin ich's? (Chor)
25:03 Ich bin's (Chor)
28:53 Wiewohl mein Herz (Arioso)
30:07 Ich will dir mein Herze schenken (Arie)
34:24 Erkenne mich, mein Hüter (Choral)
36:40 Ich will hier bei dir stehen (Choral)
39:35 O Schmerz (Arioso)
41:10 Ich will bei meinem Jesu wachen (Arie)
46:58 Der Heiland fällt (Arioso)
47:50 Gerne will ich mich bequemen (Arie)
53:28 Was mein Gott will (Choral)
57:00 So ist mein Jesus nun gefangen (Arie)
1:00:07 Sind Blitze, sind Donner (Chor)
1:03:38 O Mensch, bewein (Choral)
1:09:16 Ach! Nun ist mein Jesus hin (Arie)
1:13:34 Mir hat die Welt (Choral)
1:15:31 Mein Jesus schweigt (Arioso)
1:16:58 Geduld! (Aria)
1:22:01 Er is des Totes schuldig (Chor)
1:22:27 Weissage uns (Chor)
1:22:48 Wer hat dich so geschlagen (Choral)
1:24:42 Wahrlich, du bist (Chor)
1:26:19 Erbarme dich (Arie)
1:32:34 Bin ich gleich (Choral)
1:34:33 Was gehet uns das an? (Chor)
1:35:22 Gebt mir meinem Jesum wieder! (Arie)
1:40:14 Befiehl du deine Wege (Choral)
1:43:27 Lass ihn kreuzigen (Chor)
1:43:46 Wie wunderbarlich ist doch diese Strafe! (Choral)
1:44:55 Er hat uns allen wohlgetan (Arioso)
1:46:01 Aus Liebe (Arie)
1:50:52 Lass ihn kreuzigen (Chor)
1:51:35 Sein Blut komme über uns (Chor)
1:52:29 Erbarm es Gott! (Arioso)
1:53:23 Können Tränen meiner Wangen (Arie)
2:01:22 Gegrüsset seist du (Chor)
2:01:49 O Haupt voll Blut und Wunden (Choral)
2:05:03 Ja freilich (Arioso)
2:05:41 Komm, süsses Kreuz (Arie)
2:13:26 Der du den Tempel (Chor)
2:14:01 Andern hat er (Chor)
2:15:06 Ach Golgatha (Arioso)
2:16:27 Sehet, Jesus hat die Hand (Arie)
2:21:30 Der rufet dem Elias (Chor)
2:21:46 Halt! Lass sehen (Chor)
2:22:23 Wenn ich einmal soll scheiden (Choral)
2:24:56 Wahrlich, dieser ist Gottes Sohn gewesen (Chor)
2:26:33 Am Abend (Arioso)
2:28:27 Mache dich, mein Herze, rein (Arie)
2:35:13 Herr, wir haben gedacht (Chor)
2:38:45 Wir setzen uns mit Tränen nieder (Chor)

The Well-Tempered Clavier, BWV 846–893, is two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time clavier, meaning keyboard, referred to a variety of instruments, most typically the harpsichord or clavichord but not excluding the organ.

The modern German spelling for the collection is Das wohltemperierte Klavier (WTK; German pronunciation: [das ˌvoːlˌtɛmpəˈʁiːɐ̯tə klaˈviːɐ̯]). Bach gave the title Das Wohltemperirte Clavier to a book of preludes and fugues in all 24 keys, major and minor, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study". Some 20 years later Bach compiled a second book of the same kind, which became known as The Well-Tempered Clavier, Part Two (in German: Zweyter Theil, modern spelling: Zweiter Teil).

Modern editions usually refer to both parts as The Well-Tempered Clavier, Book I (WTC I) and The Well-Tempered Clavier, Book II (WTC II), respectively. The collection is generally regarded as one of the most important works in the history of classical music.

J.S. Bach - The Well-Tempered Clavier, Book 1: Preludes and Fugues (performed by Sviatoslav Richter)

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From the debut album CLASSIC https://HAUSER.lnk.to/Classic
HAUSER performing Air on the G String by Johann Sebastian Bach

Filmed by Medvid production

Museum of Fine Arts, Budapest

Τhis version is made by Elise Robineau - Concerto en re mineur BWV974 - Adagio d'apres Marcello - Piano & Cello

Adagio - Johann Sebastian Bach Re minor BWV 974
Piano-Violoncello

I do not own any rights to the music nor I am profiting from uploading it on youtube.

The Bachfest Leipzig is marking a special anniversary in 2023: In the year 1723, so exactly 300 years ago, Johann Sebastian Bach (1685 – 1750) took up his post as cantor of St. Thomas Church in the Saxon city. His job involved planning the music for worship in several churches on around 60 days of the year, as well as teaching pupils at the St. Thomas School. To accomplish this mammoth task, Bach composed cantatas at a rate of almost one a week during his first year in office alone. The compositions, which later became known as Bach’s “first cantata cycle in Leipzig,” not only astonished his contemporaries but continue to delight people to this day. These compositions are extraordinary not only for their diversity but also for the way in which Bach reworked traditional musical forms and expanded the genre into new creative terrain – all in the space of one year between 1723 and 1724. Despite their technical challenges, these cantatas are among the Baroque composer’s most popular and frequently performed works.

Philippe Herreweghe, one of the few star conductors for early music, has chosen four cantatas from Bach’s first cantata year in Leipzig, which Bach composed specifically for his Leipzig ensemble and performed between New Year’s Day and the Feat of Epiphany in 1724. Herreweghe is conducting his world-famous ensemble, Collegium Vocale Gent, in the St. Thomas Church in Leipzig.

At a glance:
(00:00) Opening
(00:58) Welcome of conductor Philippe Herreweghe and the Collegium Vocale Gent by Michael Maul, artistic director of the Bachfest Leipzig
(01:36) Interview with Philippe Herrewege on the four Bach cantatas
(15:14) Sie werden aus Saba alle kommen, BWV 65 (They will all come forth out of Sheba)
(30:32) Herr, wie du willt, so schicks mit mir, BWV 73 (Lord, as you will, so let it be done with me)
(45:23) Jesus schläft, was soll ich hoffen, BWV 81 (Jesus sleeps, what shall I hope for?)
(1:02:40) Singet dem Herrn ein neues Lied, BWV 190.1 (Sing a new song to the Lord)

Performers:
Aisling Kenny | SOPRANO
Alex Potter | ALTUS
Benedict Hymas | TENOR
Peter Kooij | BASS

COLLEGIUM VOCALE GENT
Annelies Brants, Anna-Sophie Brosig, Magdalena Podkościelna | SOPRANO
Daniel Folqué, Cécile Pilorger, Bart Uvyn | ALTUS
Graham Cooper, Peter Di-Toro, Patrik Hornak | TENOR
Philipp Kaven, Robert van der Vinne, Bart Vandewege | BASS

Christine Busch, Meng Han, Maria Roca | VIOLIN I
Dietlind Mayer, Marieke Bouche, Paul Bialek | VIOLIN II
Deidre Dowling, Kaat de Cock | VIOLA
Hanna Flekova, Harm-Jan Schwitters | CELLO
Miriam Shalinsky | DOUBLE BASS
Jasu Moisio, Takahiro Kitazato, Thimotée Oudinot | OBOE
Bart Coen, Koen Dieltiens | RECORDER
Julien Debordes | BASSOON
Alain de Rudder, Arne van Eenoo, Yorick Roscam | TRUMPET
Thomas Friedländer, Franziska Jacknau | HORN
Maude Gratton | ORGAN
David Dewaste | TIMPANI

Philippe Herreweghe | DIRECTOR

The internationally renowned conductor and Bach expert Philippe Herreweghe founded the Collegium Vocale Gent in 1970. Together they perform early music as a kind of historical performance practice. In 1989, the vocal ensemble was expanded to include an orchestra made up of first-class international performers of Baroque music. With the Collegium Vocale Gent choir and orchestra, Herreweghe has since produced landmark early music recordings, including the cantatas of Johann Sebastian Bach.

© 2023 Deutsche Welle/Bachfest Leipzig

Thumbnail photo: © Bachfest Leipzig 2023

Watch more concerts in your personal concert hall:
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and in our Bach playlist:
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#bach #cantata #baroquemusic

NEW AMAZING MUSIC-VIDEO ON THIS CHANEL
https://youtu.be/ZCPWPh06FwE - Benjamin Britten
https://youtu.be/BK3aTsBKj9M - Arshia Samsaminia
https://youtu.be/_h2-h831iLw - Roberto Di Marino

J.S.Bach HARPSICHORD Concerto in D Minor BWV 1052 Polina Osetinskaya piano
The Mariinsky String Orchestra
Conductor: Anton Gakkel http://www.antongakkel.org/
St.Petersburg, Mariinsky Theatre, Concert Hall 29.03.2015
0:05 - 1mvt / 8:15 - 2mvt / 16:13 - 3mvt
The life of pianist Polina Osetinskaya can be divided into two stages. The first – that of “wunderkind” (a word that Polina herself cannot abide) – was when Polina performed as a girl in huge halls filled with excited sensationalists. The second, which has continued to the present day, is essentially her victory over the first. It is both a reference to serious performing and to exacting audiences.
Polina Osetinskaya began to perform at the age of five. At the age of seven she entered the Central School of Music of the Moscow Conservatoire. Polina gave her first concert at the age of six at the Great Hall of the Vilnius Conservatoire in Lithuania. Together with her father who accepted the role of manager, the young Polina began to undertake frequent tours throughout the former USSR to packed halls and ovations. In her own country Polina was possibly the most famous child of her time and her relationship with her father was portrayed by the mass media as some kind of soap opera after the thirteen-year-old Polina decided to leave her father and study music seriously at the school of the Leningrad Conservatoire under the acclaimed teacher Marina Wolf.
Polina began to tour once again while still a student at the St Petersburg Conservatoire. (The pianist subsequently completed a postgraduate course at the Moscow Conservatoire under Professor Vera Gornostayeva.) She has appeared with the Tokyo Philharmonic Orchestra, the Orchestra of the Weimar National Opera, the Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), the State Academic Svetlanov Symphony Orchestra, the Moscow Virtuosi and the New Russia orchestra among other ensembles.
Polina Osetinskaya’s onstage partners have included conductors Saulius Sondeckis, Vassily Sinaisky, Andrei Boreiko, Gerd Albrecht, Yan Pascal Tortelier and Thomas Sanderling. Polina Osetinskaya has performed at the Wallonie Festival in Brussels, the Mainly Mozart festival, the Frédéric Chopin Festival in Miami, the Stars of the White Nights festival and the December Evenings festival among numerous others.
The pianist has been awarded the Maly Triumph prize. In 2008 she wrote her autobiography Farewell, Sadness, which became a bestseller.
Polina Osetinskaya generally creates unusual and frequently paradoxical solo programmes. She almost always includes works by contemporary composers, frequently justaposing them with traditional classical works: “Contemporary music is not just a continuation of older music. It also helps us discover ideas and beauty in older music that have been lost over decades of the blind museum generation and mechanical and often soulless performing.”
Polina Osetinskaya often performs works by post-avant-garde composers such as Valentin Silvestrov, Leonid Desyatnikov, Vladimir Martynov, Georgs Pelēcis and Pavel Karmanov.

The pianist collaborates with many recording companies including Naxos, Sony Music and Bel Air.
#polinaosetinskaya #musicaaldente #полинаосетинская #бах @polinaosetinskaya127 @antongakkel #maximnovikov #aureumtempus @MaximNovikovViolist

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Bach
Classical Music for Studying & Brain Power
Tracklist:

0:00:00 Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G String
0:05:49 Ave Maria, CG 89a (Bach-Gounod)
0:10:33 Cantata, BWV 147: Jesu, Joy of Man's Desiring
Metamorphose String Orchestra, Pavel Lyubomudrov

0:14:50 Cantata BWV 156: Arioso (Arr. for Two Cellos)
Mr & Mrs Cello

0:20:51 Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
Massimiliano Martinelli

0:23:51 Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro (Live)
Metamorphose String Orchestra, Pavel Lyubomudrov

Brandenburg Concerto No. 4 in G Major, BWV 1049:
0:29:22 I. Allegro *
0:36:34 II. Andante
0:40:14 III. Presto
Brandenburg Concerto No. 5 in D Major, BWV 1050:
0:45:18 I. Allegro
0:55:59 II. Affettuoso
1:01:37 III. Allegro
1:07:07 Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
Orchestra da Camera Fiorentina, Giuseppe Lanzetta

Keyboard Concerto No. 2 in E Major, BWV 1053:
1:11:54 I. No tempo indication
1:19:51 II. Siciliano
1:25:13 III. Allegro
Keyboard Concerto No. 3 in D Major, BWV 1054:
1:31:06 I. No tempo indication
1:38:53 III. Allegro
1:41:45 Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo
Metamorphose String Orchestra, Pavel Lyubomudrov
Piano: Stanislav Soloviev

1:44:47 The Well-Tempered Clavier, Book 1, BWV 846: Prelude in C Major
Luke Faulkner

1:47:02 The Well-Tempered Clavier, Book I: Prelude in E Minor, BWV 855a (Arr. for Piano by A. Siloti)
Vadim Chaimovich

1:51:25 Goldberg Variations, BWV 988: No. 1, Aria (Arr. for Piano)
Luke Faulkner

1:56:29 Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G string
Giovanni Umberto Battel

French Suite No. 5 in G Major, BWV 816:
2:02:50 I. Allemande
2:06:00 II. Courante
2:07:50 III. Sarabande
2:13:31 IV. Gavotte
2:14:47 V. Bourrée
2:16:17 VI. Loure
2:18:42 VII. Gigue
Vadim Chaimovich

2:22:26 Hunting Cantata, BWV 208: Sheep May Safely Graze
Rogerio Tutti

Music and studying: do they go together? According to several studies, they certainly do. The right soundtrack can put you in a better mood, increase your work speed, and calm your mind. But how does classical music do the trick? What are its effects on the brain? Classical music has been reported to enhance brain power if you have it in the background whilst studying, revising, writing, or working. Music reduces stress and improves your mood; boosts concentration; helps with memory and retention; increases focus; and these are only a few of the benefits that come with listening to classical music whilst studying! What are you working on today? Let us know in the comments below and let's motivate each other!

Johann Sebastian Bach (1685–1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.

Similar videos:
Baroque Music for Studying & Brain Power https://youtu.be/BjnnUCmNREI
Classical Music for Brain Power - Bach https://youtu.be/UdNOqNHxoQI

#bach #classicalmusic #brainpower

Johann Sebastian Bach (1685-1750).
Sonatas & Partitas For Lute.

Sonata I BWV 1001
1. Adagio
2. Fuga
3. Siciliana
4. Presto

Partita I BWV 1002
5. Allemanda
6. Double
7. Corrente
8. Double
9. Sarabanda
10. Double
11. Tempo di Borea
12. Double

Sonata II BWV 1003
13. Grave
14. Fuga
15. Andante
16. Allegro

Partita II BWV 1004

17. Allemanda
18. Corrente
19. Sarabanda
20. Giga
21. Ciaccona

Sonata III BWV 1005
22. Adagio
23. Fuga
24. Largo
25. Allegro Assai

Partita III BWV 1004

26. Preludio
27. Loure
28. Gavotte en Rondeau
29. Menuets I & II
30. Bourrée
31.Gigue
32. Menuet II

Hopkinson Smith, baroque lute

Hermosas obras de Bach.

Johann Sebastian Bach (1685-1750) 6 Partitas by Glenn Gould / Remastered
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00:00 Partita No. 1 in B-flat Major, BWV 825 - I. Prelude
01:52 Partita No. 1 in B-flat Major, BWV 825 - II. Allemande
03:45 Partita No. 1 in B-flat Major, BWV 825 - III. Courante
05:29 Partita No. 1 in B-flat Major, BWV 825 - IV. Sarabande
08:38 Partita No. 1 in B-flat Major, BWV 825 - V. Menuet I; Menuet II
10:05 Partita No. 1 in B-flat Major, BWV 825 - VI. Gigue

11:25 Partita No. 2 in C minor, BWV 826 - I. Sinfonia
15:37 Partita No. 2 in C minor, BWV 826 - II. Allemande
18:51 Partita No. 2 in C minor, BWV 826 - III. Courante
20:41 Partita No. 2 in C minor, BWV 826 - IV. Sarabande
23:16 Partita No. 2 in C minor, BWV 826 - V. Rondeaux
24:51 Partita No. 2 in C minor, BWV 826 - VI. Capriccio

26:38 Partita No. 3 in A minor, BWV 827 - I. Fantasia
28:24 Partita No. 3 in A minor, BWV 827 - II. Allemande
30:29 Partita No. 3 in A minor, BWV 827 - III. Corrente
32:34 Partita No. 3 in A minor, BWV 827 - IV. Sarabande
34:35 Partita No. 3 in A minor, BWV 827 - V. Burlesca
36:21 Partita No. 3 in A minor, BWV 827 - VI. Scherzo
37:15 Partita No. 3 in A minor, BWV 827 - VII. Gigue

38:41 Partita No. 4 in D Major, BWV 828 - I. Overture
44:15 Partita No. 4 in D Major, BWV 828 - II. Allemande
50:40 Partita No. 4 in D Major, BWV 828 - III. Courante
54:20 Partita No. 4 in D Major, BWV 828 - IV. Aria
55:47 Partita No. 4 in D Major, BWV 828 - V. Sarabande
1:00:39 Partita No. 4 in D Major, BWV 828 - VI. Menuet
1:01:53 Partita No. 4 in D Major, BWV 828 - VII. Gigue

1:03:39 Partita No. 5 in G Major, BWV 829 - I. Praeambulum
1:05:27 Partita No. 5 in G Major, BWV 829 - II. Allemande
1:07:18 Partita No. 5 in G Major, BWV 829 - III. Corrente
1:07:58 Partita No. 5 in G Major, BWV 829 - IV. Sarabande
1:10:01 Partita No. 5 in G Major, BWV 829 - V. Tempo di Minuetto
1:11:06 Partita No. 5 in G Major, BWV 829 - VI. Passepied
1:11:53 Partita No. 5 in G Major, BWV 829 - VII. Gigue

1:13:33 Partita No. 6 in E minor, BWV 830 - I. Toccata
1:23:26 Partita No. 6 in E minor, BWV 830 - II. Allemande
1:25:31 Partita No. 6 in E minor, BWV 830 - III. Courante
1:27:50 Partita No. 6 in E minor, BWV 830 - IV. Air
1:28:34 Partita No. 6 in E minor, BWV 830 - V. Sarabande
1:32:13 Partita No. 6 in E minor, BWV 830 - VI. Tempo di Gavotta
1:33:05 Partita No. 6 in E minor, BWV 830 - VII. Gigue

Piano: Glenn Gould
Recorded in 1957-63
New mastering in 2022 by AB for CMRR
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The challenge of this remastered edition was to give homogeneity to a series of recordings made over a period of 6 years in mono and stereo. The Hi-Res treatment (high resolution) has allowed to give a presence never reached before to Glenn Gould's playing. Although Youtube has improved the quality of these video encodings, the sound quality will be much better on platforms such as Qobuz (hi-res) Deezer (hi-fi) ... which benefits from a listening quality without any compression of audio files (see links at the top of the description above).

Clavier-Übung is the German term for "keyboard practice". In the late 17th and early 18th centuries, it was the generic title for collections of keyboard music, first popular after its adoption by Johann Kuhnau, although today the term is usually associated with Johann Sebastian Bach's publication series. At the age of forty, Bach wrote this Clavier-Übung, one of the most important collections of keyboard literature, with an impressive mastery and depth. Here, as is often the case with Bach, virtuosity is a virtue: that of reconciling in a global vision the diversity of Baroque music and language in a demanding balance.

First published separately in Leipzig between 1726 and 1730, the six Partitas appeared in 1731 as Bach's Opus 1. This collection became the first part of the Clavierübung. The six Partitas for harpsichord (BWV 825 to 830), sometimes called "German Suites," are the last major collection in which Bach practiced the keyboard suite, and it is the one in which he reached the peak of his art.

***COMPLETE PRESENTATION: LOOK THE FIRST PINNED COMMENT***

Bach by Marcelle Meyer - Complete Inventions & Sinfonias, Partitas, Toccatas, Italian Concerto .. (Century's recording): https://www.youtube.com/watch?v=spHBTyagfZ4&t=5680s

Johann Sebastian Bach PLAYLIST (reference recordings): https://www.youtube.com/playli....st?list=PL3UZpQL9LIx

Johann Sebastian Bach classical music playlist mix for studying and concentration. It is a perfect relaxing instrumental study music for better learning to focus memory, writing or working in office. Use this classical medley for relaxation and reading or as study music for exams and study time.

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- Music accreditations:
"Violin Partita no. 1, BWV 1002" performed by John Garner (https://musopen.org/music/1357....4-violin-partita-no- (CC BY 3.0)
"Harpsichord Concerto No.1 in D minor, BWV 1052" performed by Fulda Symphonic Orchestra (imslp.org/wiki/Harpsichord_Concerto_No.1_in_D_minor%2C_BWV_1052_(Bach%2C_Johann_Sebastian) (CC BY-SA 3.0)
"Toccata and Fugue in D minor" and "Brandenburg Concerto No. 4 - I. Allegro" are performed by Kevin MacLeod (incompetech.com) (CC BY 3.0)


#classicalmusic #bach #studymusic

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Bach - Complete Cello Suites
Massimiliano Martinelli

00:00 Cello Suite No. 1 in G Major, BWV 1007:
I. Prélude
II. Allemande
III. Courante
IV. Sarabande
V. Menuett I - Menuett II
VI. Gigue

17:16 Cello Suite No. 2 in D Minor, BWV 1008:
I. Prélude
II. Allemande
III. Courante
IV. Sarabande
V. Menuett I - Menuett II
VI. Gigue

36:26 Cello Suite No. 3 in C Major, BWV 1009:
I. Prélude
II. Allemande
III. Courante
IV. Sarabande
V. Bourrée I - Bourrée II
VI. Gigue

1:00:20 Cello Suite No. 4 in E-Flat Major, BWV 1010:
I. Prélude
II. Allemande
III. Courante
IV. Sarabande
V. Bourrée I - Bourrée II
VI. Gigue

1:24:55 Cello Suite No. 5 in C Minor, BWV 1011:
I. Prélude
II. Allemande
III. Courante
IV. Sarabande
V. Gavotte I - Gavotte II
VI. Gigue

1:53:26 Cello Suite No.6 in D Major, BWV 1012:
I. Prélude
II. Allemande
III. Courante
IV. Sarabande
V. Gavotte I - Gavotte II
VI. Gigue

Sound Engineer: Eustacchio Montemurro
Mastering: Audionova Studio 4, Matera, Italy

ABOUT MASSIMILIANO

Massimiliano Martinelli is an Italian cellist known for his flawless technique, strong versatility and soul-stirring expressivity.

He made his debut as soloist in 2007, playing Krzysztof Penderecki’s “Concerto Grosso per tre violoncelli e orchestra” alongside the Orchestra Giovanile Italiana (OGI). Since then, he has performed several concerts around Europe and Asia, collaborating with world-famous orchestra such as Riccardo Muti’s Luigi Cherubini Orchestra, Orchestra Sinfonica di Roma (Italy), Jyväskylä Sinfonia (Finland), Sinfonieorchester Basel (Switzerland), Gyeongnam Symphony Orchestra (Korea) and Hokkaido Philarmonic Youth Orchestra (Japan), and has appeared as Guest First Cello at the Teatro alla Scala in Milan.

At the age of 23, he was appointed Principal Cello in Riccardo Muti’s Luigi Cherubini Orchestra, a role he retained for three years, performing throughout Switzerland, Malta, Russia, Spain and Italy. He went on to audition for the Teatro Comunale di Bologna, where he played First Cello until 2008. In 2010 he was hand-picked by Maestro Daniele Gatti as First Solo Cellist of Zurich’s Opera House, starting a collaboration that lasted six years.

Also a well-known cello professor, Mr. Martinelli teaches at a number of Italian universities as well as at Zurich’s Konservatorium, and hosts various summer courses. He’s taught as Guest Professor at the Toscanini Music University of Ribera, Italy, and in 2016 received an invitation by the University of Hokkaido to give cello and chamber music masterclasses alongside his wife, cellist Fulvia Mancini.

Born in Apulia, Mr. Martinelli studied at the Accademia di Santa Cecilia (Rome) with Francesco Strano, before relocating to Basel to further his education with Ivan Monighetti. He has won thirty-three national and international competitions, most notably the First Prize in the International Cello Competition of Liezen (Austria), the First Prize in the Arturo Bonucci Cello Competition, and the Fifth Prize in the Gyeongnam International Music Competition (Korea).

Together with his wife Fulvia Mancini, he is the Artistic Director of the Festival Regina Musica al Castello near Rome. The couple also forms the duo Mr & Mrs Cello, and in early 2019 won a Special Award at the 1st Vienna International Music Competition after the release of their stunning debut EPs, ‘Crossover One’ and ‘Crossover Two’.

#bach #cello #cellomusic

Sublime, extreme and all-embracing… only superlatives will do to describe Bach’s Mass in B minor, the 'Hohe Messe', performed by the Netherlands Bach Society for All of Bach. In between an awe-inspiring Kyrie and the jubilant final Dona nobis pacem, there are nine completely unique arias and duets, fourteen impressive ensemble sections for four, five, six and even eight voices, a broad spectrum of instrumental solos, and an incredible variety of styles.

Recorded for the project All of Bach on December 15th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel http://bit.ly/2vhCeFB or consider donating http://bit.ly/2uZuMj5.

For the interview with musicians from the Netherlands Bach Society on the Mass in B minor go to https://www.youtube.com/watch?v=QU9596vrep8
For more information on BWV 232 and this production go to http://allofbach.com/en/bwv/bwv-232/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material http://allofbach.com/en/. For concert dates and further information go to https://www.bachvereniging.nl/....nederlandse-bachvere

Jos van Veldhoven, conductor
Hana Blažíková, soprano 1
Anna Reinhold, soprano 2
David Erler, alto
Thomas Hobbs, tenor
Peter Harvey, bass

0:00 Kyrie eleison (Coro)
11:07 Christe eleison (Duetto)
15:56 Kyrie eleison (Coro)
19:43 Gloria in excelsis Deo (Coro)
21:25 Et in terra pax (Coro)
26:06 Laudamus te (Aria)
30:09 Gratias agimus tibi (Coro)
33:19 Domine Deus (Duetto)
38:39 Qui tollis (Coro)
41:39 Qui sedes (Aria)
45:50 Quoniam tu solus sanctus (Aria)
50:33 Cum Sancto Spiritu (Coro)
54:14 Credo in unum Deum (Coro)
56:13 Patrem omnipotentem (Coro)
58:15 Et in enum Dominim (Duetto)
1:02:38 Et incarnatus est (Coro)
1:05:52 Crucifixus (Coro)
1:08:58 Et resurrecit (Coro)
1:12:56 Et in Spiritum Sanctum (Aria)
1:18:13 Confiteor (Coro)
1:22:18 Et expecto (Coro)
1:24:30 Sanctus (Coro)
1:26:58 Pleni sunt caeli
1:29:19 Osanna in exelsis (Coro)
1:31:59 Benedictus qui venit (Aria)
1:36:22 Osanno in excelsis (Coro)
1:39:05 Agnus Dei (Aria)
1:45:17 Dona nobis pacem (Coro)

Air from Johann Sebastian Bach's 3rd Orchestral Suites or Ouverture No. 3 in D major, BWV 1068.
The Air is one of the most famous pieces of baroque music.

Preformed By: The Berlin Philharmonic Orchestra
Conducted By: Sir Simon Rattle

In cantata 'Wachet auf, ruft uns die Stimme', performed by the Netherlands Bach Society for All of Bach, everything revolves around the parable of the wise and foolish virgins. They wait throughout the night with burning lamps for the arrival of the bridegroom. Five of them have brought along extra oil to keep their lamp burning. The others run out of oil and go off to buy some more. The bridegroom arrives while they are away.

Recorded for the project All of Bach on February 11th 2018 at the Walloon Church, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel http://bit.ly/2vhCeFB and consider donating http://bit.ly/2uZuMj5.

This recording was made with support of the Miller Family Charitable Foundation.
The English subtitling for this cantata was sponsored by the American Bach Society. The translation was made by Daniel R. Melamed and Michael Marissen. For an annotated version of the text and translation, see http://bachcantatatexts.org/BWV140.htm.

For the interview with Jos van Veldhoven on 'Wachet auf, ruft uns die Stimme' go to https://www.youtube.com/watch?v=tvB-sJyZEqw
For more information on BWV 140 and this production go to http://allofbach.com/en/bwv/bwv-140/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material http://allofbach.com/en/. For concert dates and further information go to https://www.bachvereniging.nl/....nederlandse-bachvere

Netherlands Bach Society
Jos van Veldhoven, conductor
Maria Keohane, soprano
Tim Mead, alto
Daniel Johannsen, tenor
Matthew Brook, bass

0:00 Wachet auf (Choral)
7:51 Er kommt (Rezitativ)
9:00 Wenn kömmst du (Duett)
15:19 Zion hört (Choral)
19:43 So geht herein (Rezitativ)
21:15 Mein Freund (Duett)
26:43 Gloria sei dir gesungen (Choral)

This album contains the complete Partitas by Bach, presented by Piano Classics, a label of Brilliant Classics.

🎵Online purchase or streaming (Spotify, Apple Music, Amazon Music, Deezer): https://PianoClassics.lnk.to/C....ompletePartitasYuanS
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Composer: Johann Sebastian Bach
Artist: Yuan Sheng (piano)

This recording of the complete 6 Partitas is a marvel of elegance, wit, rhetoric and brilliance, played on a modern Steinway.

“China’s premier interpreter of Bach”, is what International Piano Magazine called Yuan Sheng. A pupil of Solomon Mikowsky (Manhattan School of Music) and notably Rosalyn Tureck Yuan Sheng extensively studied the performance practice of Baroque music. Equally at home at the harpsichord he has an instinctive feeling for the possibilities, sonorities and touch of the instrument at hand, so that “the listener might easily have imagined the composer at the keyboard” (Boston Intelligencer). Besides pursuing an international career Yuan Sheng is Professor of Piano at the Bejing Central Conservatory of Music.

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Tracklist:

Partita No. 1 in B-Flat Major, BWV 825:
0:00:00 I. Praeludium
0:01:43 II. Allemande
0:05:37 III. Corrente
0:08:35 IV. Sarabande
0:14:10 V. Menuet I&II
0:17:20 VI. Giga

Partita No. 2 in C Minor, BWV 826:
0:19:22 I. Sinfonia
0:23:43 II. Allemande
0:28:20 III. Courante
0:30:42 IV. Sarabande
0:34:41 V. Rondeaux
0:36:07 VI. Capriccio

Partita No. 4 in D Major, BWV 828:
0:39:41 I. Ouverture
0:46:02 II. Allemande
0:55:09 III. Courante
0:58:49 IV. Sarabande
1:04:58 V. Aria
1:07:12 VI. Menuet
1:08:38 VII. Gigue

Partita No. 3 in A Minor, BWV 827:
1:12:13 I. Fantasia
1:14:22 II. Allemande
1:17:09 III. Corrente
1:20:34 IV. Sarabande
1:25:03 V. Burlesca
1:27:30 VI. Scherzo
1:28:40 VII. Gigue

Partita No. 5 in G Major, BWV 829:
1:31:56 I. Praeambulum
1:34:38 II. Allemande
1:38:56 III. Corrente
1:40:48 IV. Sarabande
1:45:57 V. Tempo di menuetta
1:47:52 VI. Passepied
1:49:37 VII. Gigue

Partita No. 6 in E Minor, BWV 830:
1:53:26 I. Toccata
2:00:26 II. Allemanda
2:03:32 III. Corrente
2:08:22 IV. Sarabande
2:15:16 V. Air
2:16:46 VI. Tempo di gavotte
2:18:57 VII. Gigue

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#Bach #Partitas #Classical #Piano #ClassicalMusic #PianoClassics

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50 Best of Bach
Tracklist:

0:00:00 Cantata, BWV 147: Jesu, Joy of Man's Desiring
0:04:17 Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G String
0:10:06 Bach-Gounod - Ave Maria, CG 89a
Metamorphose String Orchestra, Pavel Lyubomudrov

Cello Suite No. 1 in G Major, BWV 1007:
0:14:50 I. Prélude
0:17:50 II. Allemande
0:22:06 III. Courante
0:24:40 IV. Sarabande
0:27:40 V. Menuett I - Menuett II
0:30:43 VI. Gigue
Massimiliano Martinelli

0:32:28 Cantata BWV 156: Arioso (Arr. for Two Cellos) - Mr & Mrs Cello

Orchestral Suite No. 2 in B Minor, BWV 1067:
0:38:29 I. Overture. Lentamente
0:46:11 II. Rondeau
0:47:40 III. Sarbande
0:50:38 IV. Bourrée
0:52:37 V. Double
0:56:03 VI. Minuetto
0:57:17 VII. Badinerie
Orchestra da Camera Fiorentina, Giuseppe Lanzetta, Andreas Blau

0:58:36 Keyboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro
1:07:04 Keyboard Concerto No. 2 in E Major, BWV 1053: I. No tempo indication
Metamorphose String Orchestra, Pavel Lyubomudrov, Stanislav Soloviev

Brandenburg Concerto No. 5 in D Major, BWV 1050:
1:15:01 I. Allegro
1:25:42 II. Affettuoso
1:31:20 III. Allegro
Brandenburg Concerto No. 4 in G Major, BWV 1049:
1:36:50 I. Allegro
1:44:02 II. Andante
1:47:42 III. Presto
Brandenburg Concerto No. 3 in G Major, BWV 1048:
1:52:46 I. no tempo indication
1:58:44 II. Adagio
1:59:10 III. Allegro
Orchestra da Camera Fiorentina, Giuseppe Lanzetta

French Suite No. 5 in G Major, BWV 816:
2:03:57 I. Allemande
2:07:07 II. Courante
2:08:57 III. Sarabande
2:14:37 IV. Gavotte
2:15:53 V. Bourrée
2:17:23 VI. Loure
2:19:48 VII. Gigue
Bach/Marcello - Concerto No. 3 (After Alessandro Marcello's Concerto for Oboe and Strings) in D Minor, BWV 974:
2:23:32 I. no tempo indication
2:26:33 II. Adagio
2:31:20 III. Presto
French Suite No. 3 in B Minor, BWV 814:
2:34:14 I. Allemande
2:37:19 III. Sarabande
Vadim Chaimovich

Goldberg-Variationen, Op. 4, BWV 988:
2:41:23 Aria
2:46:36 Variation 9, Canone alla Terza
2:48:31 Variation 12, Canone alla Quarta
2:51:39 Variation 13
2:56:13 Variation 23
2:58:32 Variation 24, Canone all'Ottava
3:02:29 Variation 25
Andrea Cantù

3:09:59 Bach/Siloti - The Well-Tempered Clavier, Book I: Prelude in E Minor, BWV 855° (Arr. for Piano by A. Siloti)
3:14:23 Chorale Prelude 'Ich ruf zu dir, Herr Jesu Christ', BWV 639 (Arr. for Piano by F. Busoni)
3:17:50 Chorale Prelude 'Nun komm' der Heiden Heiland', BWV 659 (Arr. for Piano by F. Busoni)
Vadim Chaimovich

---

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All the best classical music ever on Halidon Music Youtube Channel: the best classical music playlist mix, the best classical music for studying, classical music for reading, classical music for concentration, classical music for sleeping and relaxation, instrumental music, background music, opera music, piano, violin & orchestral masterpieces by the greatest composers of all time. The very best of Mozart, Beethoven, Bach, Chopin, Vivaldi, Mahler, Rossini, Strauss, Verdi, Chopin, Bach, Brahms, Ravel, Grieg Ravel, Dvorák...

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These recordings are available for sync licensing in web video productions, corporate videos, films, ads and music compilations.
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Johann Sebastian Bach
Cello Collection

0:00:00 Cantata "Ich steh mit einem Fuß im Grabe", BWV 156: Arioso
Mr & Mrs Cello

0:06:01 Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
0:09:01 Cello Suite No. 1 in G Major, BWV 1007: II. Allemande
0:13:17 Cello Suite No. 1 in G Major, BWV 1007: III. Courante
0:15:51 Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande
0:18:52 Cello Suite No. 1 in G Major, BWV 1007: V. Menuett I - Menuett II
0:21:54 Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue
Massimiliano Martinelli

0:23:39 15 Inventions, BWV 772-786: No. 1 in C Major
0:25:17 15 Inventions, BWV 772-786: No. 2 in C Minor
0:28:22 15 Inventions, BWV 772-786: No. 3 in D Major
0:29:51 15 Inventions, BWV 772-786: No. 4 in D Minor
0:31:04 15 Inventions, BWV 772-786: No. 5 in E-Flat Major
0:33.35 15 Inventions, BWV 772-786: No. 6 in E Major
0:40:57 15 Inventions, BWV 772-786: No. 7 in E Minor
Mr & Mrs Cello

0:43:34 Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude
0:47:37 Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande
0:50:39 Cello Suite No. 2 in D Minor, BWV 1008: III. Courante
0:52:31 Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande
0:57:13 Cello Suite No. 2 in D Minor, BWV 1008: V. Menuett I - Menuett II
1:00:24 Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue
Massimiliano Martinelli

1:03:04 15 Inventions, BWV 772-786: No. 8 in F Major
1:04:23 15 Inventions, BWV 772-786: No. 9 in F Minor
1:06:34 15 Inventions, BWV 772-786: No. 10 in G Major
1:08:05 15 Inventions, BWV 772-786: No. 11 in G Minor
1:09:26 15 Inventions, BWV 772-786: No. 12 in A Major
1:11:12 15 Inventions, BWV 772-786: No. 13 in A Minor
1:12:54 15 Inventions, BWV 772-786: No. 14 in B-Flat Major
1:14:46 15 Inventions, BWV 772-786: No. 15 in B Minor
Mr & Mrs Cello

1:16:16 Cello Suite No. 3 in C Major, BWV 1009: I. Prélude
1:20:58 Cello Suite No. 3 in C Major, BWV 1009: II. Allemande
1:25:06 Cello Suite No. 3 in C Major, BWV 1009: III. Courante
1:28:24 Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande
1:33:19 Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I - Bourrée II
1:37:20 Cello Suite No.3 in C Major, BWV 1009: VI. Gigue
Massimiliano Martinelli

1:40:32 Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prélude
1:44:42 Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande
1:48:41 Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante
1:52:27 Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande
1:57:20 Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrée I - Bourrée II
2:02:45 Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue
Massimiliano Martinelli

2:05:29 Cello Suite No. 5 in C Minor, BWV 1011: I. Prélude
2:12:09 Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande
2:18:31 Cello Suite No. 5 in C Minor, BWV 1011: III. Courante
2:20:53 Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande
2:22:02 Cello Suite No. 5 in C Minor, BWV 1011: V. Gavotte I - Gavotte II
2:28:21 Cello Suite No. 5 in C Minor, BWV 1011: VI. Gigue
Massimiliano Martinelli

2:31:29 Cello Suite No.6 in D Major, BWV 1012: I. Prélude
2:37:30 Cello Suite No. 6 in D Major, BWV 1012: II. Allemande
2:48:14 Cello Suite No. 6 in D Major, BWV 1012: III. Courante
2:52:40 Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande
2:59:03 Cello Suite No. 6 in D Major, BWV 1012: V. Gavotte I - Gavotte II
3:04:28 Cello Suite No. 6 in D Major, BWV 1012: VI. Gigue
Massimiliano Martinelli

#bach #cello #cellomusic

Though the composition is public domain, the performance belongs to the record label that recorded the following performer (see YouTube's attributes in the full description):
Hannes Kästner
Album:
Bach, J.S.: Organ Music - Preludes and Fugues - Toccata and Fugue in D Minor - Chorales Preludes.

This album was released in 1988 and it's also available on ITunes :
https://itunes.apple.com/ca/al....bum/bach-j-s-organ-m

JOHANN SEBASTIAN BACH (1685-1750)

Six Suites for Unaccompanied Cello, Suite No. 1 in G Major BWV 1007

1. Prelude

2. Allemande

3. Courante

Performed by Yo-Yo Ma

Yo-Yo Ma Bach: Cello Suite No. 1 in G Major, Prélude
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J.S. Bach - Prelude in C Major
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Hope you enjoy my performance of Bach's Prelude in C Major.

Outro: Chopin - Prelude in E Minor (Op. 28 No. 4)

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Choral: ‘Vor deinen Thron tret’ ich hiermit’ uit: Die Kunst der Fuge, BWV 1080 van Johann Sebastian Bach (1685 - 1750). Bach overleed op 28 juli 1750, nu 273 jaar geleden. Gerben Budding speelde dit werk vorig jaar op het historische Paradijs-orgel in de Oude Kerk van Barneveld.

Live-opname orgelconcert 28 juli 2022
Registrant: Bart van der Tang
Audio: Gerben Budding
Video: Bart van der Tang
Editing: Pim van de Beek
Met dank aan Stichting Concerten Oude Kerk Barneveld.

Gerben Budding (1987) is internationaal actief als concertorganist en kerkmusicus. Hij is hoofdorganist van de Goudse Sint-Janskerk en bespeelt daar het prachtige Moreau-orgel uit 1736. Als vesperorganist is hij daarnaast verbonden aan de Utrechtse Domkerk met het beroemde Bätz-orgel uit 1831.

Zijn opleiding ontving hij aan het Utrechtse conservatorium. Daar behaalde hij een Bachelor- en Mastergraad Orgel met Improvisatie (beide summa cum laude), een eerstegraads bevoegdheid als Kerkmusicus en een Bachelor- en Mastergraad Koordirectie (met onderscheiding).

Hij won de eerste prijs op het internationale orgelconcours ‘Agati-Tronci’ in Pistoia (Italië), de tweede prijs op het Internationaal Schnitgerconcours in Alkmaar, de Litaize-prijs op het Internationaal César Franck Concours in Haarlem en de publieksprijs op het improvisatieconcours in Dudelange (Luxemburg).

Voor concertverzoeken en meer info: https://gerbenbudding.nl

YouTube:
https://www.youtube.com/user/pijporgel1
http://www.youtube.com/c/GerbenBudding

#bach #28july #bwv1080

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There's a lot of categories this year (14), but it will only take you a minute, and it will help us so much. Just a few votes can make a huge difference! Thank you from Hanneke and David, Directors, Voices of Music

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Part 1. Who was your favorite performer in each of the following categories?
Chamber Music Ensemble: Voices of Music
Dance Soloist: Kaili Chen
Early/Baroque Ensemble: Voices of Music
Orchestra: Voices of Music
Conductor Hanneke van Proosdij
Instrumental Soloist: Augusta McKay Lodge

2. Which was your favorite single performance (single concert or production) in each of the following categories? As appropriate, please list the ensemble or company and the specific program or name of the production.

Chamber Music: Voices of Music: Musica Transalpina: Chamber music from Italy and England
Dance: Voices of Music Wu Song and the Tiger
Early Music/Baroque: Voices of Music Holiday Concertos: Bach, Telemann & Vivaldi
New Music: Voices of Music Wu Song and the Tiger
Orchestra: Voices of Music Holiday Concertos: Bach, Telemann & Vivaldi
with soloists Elizabeth Blumenstock, YuEun Kim, Kati Kyme and Marc Schachman
Instrumental Recital: Voices of Music Musica Transalpina: Chamber music from Italy and England

8. What was your favorite streaming performance or series? Please include artist/ensemble and program.
Favorite Streaming Performance or Series: Voices of Music Sundays at Ten

For the first time in 4K Ultra High Definition video, Bach's Brandenburg Concerto No. 3 in G Major (BWV 1048), complete, performed on original instruments by the Early Music ensemble Voices of Music.
Please subscribe to our channel https://www.youtube.com/Voices....ofMusic/?sub_confirm
In March of 1721, Johann Sebastian Bach carefully inked six of his best concertos into a book for the Margrave of Brandenburg, Christian Ludwig. The original title, "Six Concerts à plusieurs instruments" is now known as the "Brandenburg" Concertos in English or "Brandenburgische Konzerte" in German.
These six concertos represent the summa of chamber music in the high baroque period, and the third concerto (BWV 1048) is noted for its rich texture of three violins, three violas and three cellos, with a continuo part for the harpsichord and violone. The original title is as follows: "Concerto 3zo [terzo] a tre Violini, tre Viole, è tre Violoncelli col Basso per il Cembalo". On the continuo part, Bach has written "Violone & Cembalo", and this is how it is performed in the video, just as it is indicated in the original manuscript.
Brandenburg III makes an appearance in Season 6, Episode 19 “Lessons” of Star Trek: The Next Generation, as well as the episode "A Matter of Time."
This concerto is part of the Voices of Music Great Works project. A Creative Commons edition of the score, based on the composer's manuscript, will be published to accompany the complete recording, and the recording will be available worldwide on Blu-Ray and CD, and for free on MP3 and high-definition, 24 bit FLAC files.
Buy CDs https://kunaki.com/msales.asp?PublisherId=111319&pp=1
I. (Allegro) 0:00
II. Adagio 5:34
III. Allegro 5:45
Voices of Music
Hanneke van Proosdij & David Tayler, directors
#Bach #BrandenburgConcerto #BWV1048 #TNG

1. Prelude - 0:00
2. Allermande - 2:45
3. Courante - 7:09
4. Sarabande - 9:47
5. Menuet I / II - 13:41
6. Gigue - 17:38

Unitel 1993

All concertos for 1 violin by Bach. They are BWV 1041 and 1042: the well-known concertos. BWV1052, 1056 and 1064 are reconstructions. The latter one being for three violins. Soloists are among others Emmy Verhey and Rainer Kussmaul.

Composer: Johann Sebastian Bach
Artists: Emmy Verhey (violin), Camerata Antonio Luco, Rainer Kussmaul (violin), Henk Rubingh (violin), Thomas Hengelbrock (violin), Amsterdam Bach (Soloists)

🎵 Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): https://brilliant-classics.lnk.....to/BachViolinConcer
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Tracklist:
Violin Concerto in A Minor, BWV 1041:
0:00:00 I. Allegro
0:03:52 II. Adagio
0:10:23 III. Allegro

Violin Concerto in E Major, BWV 1042:
0:14:22 I. Allegro
0:22:05 II. Adagio
0:28:47 III. Allegro assai

Violin Concerto in D Minor, BWV 1052:
0:31:42 I. Allegro
0:39:20 II. Largo
0:46:22 III. Presto

Violin Concerto in G Minor, BWV 1056:
0:54:14 I. Allegro
0:57:37 II. Andante
1:00:52 III. Allegro assai

Concerto for 3 violins, strings & b.c. in D Major, BWV 1064:
1:04:30 I. Allegro
1:10:23 II. Adagio
1:15:35 III. Allegro

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Top 30 Bach | Famous Classical Music Pieces
Tracklist:

0:00:00 Ave Maria, CG 89a (Bach-Gounod)
0:04:43 Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G String
0:10:33 Cantata, BWV 147: Jesu, Joy of Man's Desiring
Metamorphose String Orchestra, Pavel Lyubomudrov

Brandenburg Concerto No. 3 in G Major, BWV 1048:
0:14:50 I. —
0:20:48 II. Adagio
0:21:14 III. Allegro
Brandenburg Concerto No. 4 in G Major, BWV 1049:
0:26:01 I. Allegro
0:33:13 II. Andante
0:36:52 III. Presto
Brandenburg Concerto No. 5 in D Major, BWV 1050:
0:41:57 I. Allegro
0:52:38 II. Affettuoso
0:58:16 III. Allegro
Orchestra da Camera Fiorentina, Giuseppe Lanzetta

Cello Suite No. 1 in G Major, BWV 1007:
1:03:46 I. Prélude
1:06:46 II. Allemande
1:11:02 III. Courante
1:13:36 IV. Sarabande
1:16:36 V. Menuett I - Menuett II
1:19:39 VI. Gigue
Massimiliano Martinelli

1:21:23 Cantata BWV 156: Arioso (Arr. for Two Cellos) - Mr & Mrs Cello

1:27:25 Keyboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro
Metamorphose String Orchestra, Pavel Lyubomudrov
Piano: Stanislav Soloviev

1:35:52 Orchestral Suite No. 2 in B Minor, BWV 1067: I. Overture. Lentamente
Orchestra da Camera Fiorentina, Giuseppe Lanzetta
Flute: Andreas Blau

Partita No. 2 in C Minor, BWV 826 (Arr. for Piano):
1:43:35 I. Sinfonia. Grave - Adagio - Andante
1:48:19 II. Allemande
1:53:19 III. Courante
1:55:43 IV. Sarabande
1:59:29 V. Rondeau
2:01:08 VI. Capriccio
2:04:26 The Well-Tempered Clavier, Book I: Prelude in E Minor, BWV 855a (Arr. Siloti)
Benedetta Iardella

2:07:22 The Well-Tempered Clavier, Book 1, BWV 846: Prelude in C Major
2:09:36 Goldberg Variations, BWV 988: No. 1, Aria
Luke Faulkner

---

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Johann Sebastian Bach
Classical Music for Relaxation
Tracklist:

0:00:00 Ich steh mit einem Fuß im Grabe, BWV 156: I. Sinfonia (Arioso)
0:03:31 Cantata, BWV 147: Jesu, Joy of Man's Desiring
0:07:49 Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G String
0:13:38 Ave Maria, CG 89a (Bach/Gounod)
Metamorphose String Orchestra, Pavel Lyubomudrov

0:18:22 Goldberg Variations, BWV 988: No. 1, Aria (Arr. for Piano)
0:23:25 The Well-Tempered Clavier, Book 1, BWV 846: Prelude in C Major
Luke Faulkner

0:25:40 Notebooks for Anna Magdalena Bach: Menuet in G Major, BWV Anh. 114
Giovanni Umberto Battel

French Suite No. 5 in G Major, BWV 816:
0:26:57 I. Allemande
0:30:07 III. Sarabande
0:35:48 The Well-Tempered Clavier, Book I: Prelude in E Minor, BWV 855a (Bach/Siloti)
Vadim Chaimovich

Orchestral Suite No. 2 in B Minor, BWV 1067:
0:40:12 I. Overture. Lentamente
0:47:54 III. Sarabande
Orchestra da Camera Fiorentina, Giuseppe Lanzetta
Flute: Andreas Blau

0:50:52 Keyboard Concerto No. 2 in E Major, BWV 1053: II. Siciliano
0:56:14 Keyboard Concerto No. 3 in D Major, BWV 1054: II. Adagio
1:02:33 Keyboard Concerto No. 4 in A Major, BWV 1055: II. Larghetto
1:08:49 Keyboard Concerto No. 7 in G Minor, BWV 1058: II. Andante
Metamorphose String Orchestra, Pavel Lyubomudrov
Piano: Stanislav Soloviev

Brandenburg concerto No. 5 in D Major, BWV 1050:
1:15:02 II. Affettuoso
1:20:41 III. Allegro
1:26:13 Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
Orchestra da Camera Fiorentina, Giuseppe Lanzetta

Cello Suite No. 1 in G Major, BWV 1007:
1:31:01 I. Prélude
1:34:01 II. Allemande
1:38:17 III. Courante
1:40:51 IV. Sarabande
1:43:51 V. Menuett I - Menuett II
1:46:54 VI. Gigue
Cello Suite No. 2 in D Minor, BWV 1008:
1:48:39 I. Prélude
1:52:42 II. Allemande
1:55:43 III. Courante
1:57:35 IV. Sarabande
2:02:17 V. Menuett I - Menuett II
2:05:29 VI. Gigue
Cello Suite No. 3 in C Major, BWV 1009:
2:08:09 I. Prélude
2:12:50 II. Allemande
2:16:59 III. Courante
2:20:16 IV. Sarabande
2:25:11 V. Bourrée I - Bourrée II
2:29:12 VI. Gigue
Massimiliano Martinelli

15 Inventions, BWV 772-786 (Arr. for Two Cellos):
2:32:25 No. 1 in C Major
2:34:03 No. 2 in C Minor
2:37:08 No. 3 in D Major
2:38:37 No. 4 in D Minor
2:39:51 No. 5 in E-Flat Major
2:42:21 No. 6 in E Major
2:49:43 No. 7 in E Minor
2:52:20 No. 8 in F Major
2:53:39 No. 9 in F Minor
2:55:50 No. 10 in G Major
2:57:21 No. 11 in G Minor
2:58:42 No. 12 in A Major
3:00:29 No. 13 in A Minor
3:02:11 No. 14 in B-Flat Major
3:04:02 No. 15 in B Minor
Mr & Mrs Cello

A soothing classical music playlist for stress relief featuring some of Bachs most relaxing works: piano works, cello sonatas and concertos. Perfect to enjoy at the end of a long day, or during stressful times to relieve any anxiety. We hope these pieces of classical music will make your day more peaceful and relaxing. Classical music can be a powerful tool for relieving the stress of everyday life - helping you study, work, and sleep better. What makes Bach's music especially relaxing? Both cheerful and sweet, it's perfect to improve your mood whilst keeping you focused on the task at hand. It’s almost impossible to hear it and not feel relaxed and happier afterwards.

Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.

Similar videos:
Peaceful Classical Piano | Chopin, Mozart, Debussy... https://youtu.be/XMJbOC_2DME
Classical Music for Relaxation: Mozart, Bach, Tchaikovsky... https://youtu.be/uk-DSogtQRo
Soft Classical Piano - Relaxing Piano Pieces https://youtu.be/aGZk0nEBWv4

#bach #classicalmusic #relaxation

100 Best of Bach
Tracklist:

0:00:00 Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G String - Metamorphose String Orchestra, Pavel Lyubomudrov

0:05:49 Cantata "Ich steh mit einem Fuß im Grabe", BWV 156: Arioso - Mr & Mrs Cello

Cello Suite No. 1 in G Major, BWV 1007:
0:11:50 I. Prélude
0:14:51 II. Allemande
0:19:06 III. Sarabande
Massimiliano Martinelli

0:22:07 Bach-Gounod - Ave Maria - Metamorphose String Orchestra, Pavel Lyubomudrov

Cello Suite No. 1 in G Major, BWV 1007:
0:26:50 III. Courante
0:29:25 V. Menuett I - Menuett II
0:32:27 VI. Gigue
Massimiliano Martinelli

French Suite No. 5 in G Major, BWV 816:
0:34:12 I. Allemande
0:37:22 II. Courante
0:39:12 III. Sarabande
0:44:53 IV. Gavotte
0:46:09 V. Bourrée
0:47:38 VI. Loure
0:50:03 VII. Gigue
Vadim Chaimovich

Goldberg-Variationen, Op. 4, BWV 988:
0:53:47 Aria
0:59:00 Variation 1
1:00:45 Variation 2
1:02:16 Variation 3, Canone all’Unisono
1:04:19 Variation 4
1:05:30 Variation 5
1:07:00 Variation 6, Canone alla Seconda
1:08:14 Variation 18, Canone alla Sesta
1:09:52 Variation 12, Canone alla Quarta
1:13:00 Variation 13
Andrea Cantù

1:17:35 Cantata, BWV 147: X. Jesu, Joy of Man's Desiring - Michele Nobler

1:22:04 Hunting Cantata, BWV 208: Sheep May Safely Graze - Rogerio Tutti

Brandenburg Concerto No. 3 in G Major, BWV 1048:
1:26:13 II. Adagio
1:26:39 III. Allegro
1:31:26 I. —
Brandenburg Concerto No. 4 in G Major, BWV 1049:
1:37:24 I. Allegro
1:44:37 II. Andante
1:48:16 III. Presto
Brandenburg Concerto No. 5 in D Major, BWV 1050:
1:53:20 I. Allegro
2:04:01 II. Affettuoso
2:09:39 III. Allegro
Orchestra da Camera Fiorentina, Giuseppe Lanzetta

Keyboard Concerto No. 2 in E Major, BWV 1053:
2:15:09 I. No tempo indication
2:23:06 II. Siciliano
2:28:29 III. Allegro
Keyboard Concerto No. 3 in D Major, BWV 1054:
2:34:21 I. No tempo indication
2:42:09 II. Adagio
2:48:27 III. Allegro
Keyboard Concerto No. 4 in A Major, BWV 1055:
2:51:19 I. Allegro
2:55:10 II. Larghetto
3:01:27 III. Allegro ma non tanto
Keyboard Concerto No. 5 in F Minor, BWV 1056:
3:05:35 I. No tempo indication
3:09:16 II.Largo
3:12:18 III. Presto
Keyboard Concerto No. 6 in F Major, BWV 1057:
3:15:54 I. No tempo indication
3:23:21 II. Andante
3:27:20 III. Allegro Assai
Keyboard Concerto No. 7 in G Minor, BWV 1058:
3:32:40 I. No tempo indication
3:36:34 II. Andante
3:42:46 III. Allegro Assai
Keyboard Concerto No. 1 in D Minor, BWV 1052:
3:46:26 I. Allegro
3:54:54 II. Adagio
4:02:29 III. Allegro
Metamorphose String Orchestra, Pavel Lyubomudrov
Piano: Stanislav Soloviev

Bach/Marcello - Concerto No. 3 in D Minor, BWV 974:
4:10:44 II. Adagio
4:15:31 I. —
4:18:32 III. Presto
Vadim Chaimovich

Partita No. 2 in C Minor, BWV 826:
4:21:26 I. Sinfonia. Grave - Adagio - Andante
4:26:10 II. Allemande
4:31:10 III. Courante
4:33:35 IV. Sarabande
4:37:21 V. Rondeau
4:38:59 VI. Capriccio
Benedetta Iardella

15 Inventions, BWV 772-786
4:42:17 No. 2 in C Minor
4:45:22 No. 9 in F Minor
Mr & Mrs Cello

4:47:32 Bach/Siloti - The Well-Tempered Clavier, Book I: Prelude in E Minor, BWV 855a
4:51:56 Chorale Prelude 'Ich ruf zu dir, Herr Jesu Christ', BWV 639
4:55:23 Chorale Prelude 'Nun komm' der Heiden Heiland', BWV 659
Vadim Chaimovich

French Suite No. 3 in B Minor, BWV 814:
5:00:28 I. Allemande
5:03:32 II. Courante
5:05:40 III. Sarabande
5:09:45 IV. Anglaise
5:11:25 V. Menuet
5:13:43 VI. Gigue
Vadim Chaimovich

Orchestral Suite No. 2 in B Minor, BWV 1067:
5:15:53 I. Overture
5:23:40 II. Rondò
5:25:09 III. Sarabanda
5:28:12 IV. Bourre I & Bourre II
5:30:16 V. Polacca
5:33:29 VI. Minuetto
5:34:40 VII. Badinerie
Kaunas Chamber Orchestra, Marek Tracz

Concerto for 2 Harpsichords in C minor, BWV 1060 (Arr. for 2 Pianos):
5:36:08 I. Allegro
5:41:07 II. Largo ovvero adagio
5:46:16 III. Allegro
Orchestra da Camera Fiorentina, Mario Ruffini
Piano: Fabio Fornaciari, Nicola Giaquinto

Concerto for 2 Harpsichords in C major, BWV 1061 (Arr. for 2 Pianos):
5:49:57 I. No tempo indication
5:57:44 II. Adagio ovvero largo
6:03:01 III. Fuga. Vivace
Orchestra da Camera Fiorentina, Mario Ruffini
Piano: Hannah Kim, Matteo Guasconi

Concerto for 2 Harpsichords in C minor, BWV 1062 (Arr. for 2 Pianos):
6:09:12 I. No tempo indication
6:13:06 II. Andante e piano
6:19:53 III. Allegro assai
Orchestra da Camera Fiorentina, Mario Ruffini
Piano: Leonardo Ruggiero, Ruggiero Fiorella

Concerto for 3 Harpsichords in D minor, BWV 1063 (Arr. for 3 Pianos):
6:24:49 I. No tempo indication
6:29:38 II. Alla siciliana
6:34:45 III. Allegro
Orchestra da Camera Fiorentina, Mario Ruffini
Piano: Lin Wang, Lorenzo Fiorentini, Pietro Iacopini

Concerto for 3 Harpsichords in C major, BWV 1064 (Arr. for 3 Pianos):
6:39:34 I. Allegro
6:46:04 II. Adagio
6:52:54 III. Allegro
Orchestra da Camera Fiorentina, Mario Ruffini
Piano: Giacomo Innocenti, Lorenzo Fiorentini, Pietro Iacopini

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Bach - Classical Music for Relaxation
Tracklist:

0:00:00 Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G String
Metamorphose String Orchestra, Pavel Lyubomudrov

0:05:49 Cantata, BWV 147: Jesu, Joy of Man's Desiring
Metamorphose String Orchestra, Pavel Lyubomudrov

0:10:06 Ave Maria, CG 89a
Metamorphose String Orchestra, Pavel Lyubomudrov

0:14:50 Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo
Metamorphose String Orchestra, Pavel Lyubomudrov
Stanislav Soloviev, piano

0:17:52 The Well-Tempered Clavier, Book I: No. 1, Prelude in C Major, BWV 846
Rogerio Tutti

0:19:46 Hunting Cantata, BWV 208: Sheep May Safely Graze
Rogerio Tutti

0:23:55 The Well-Tempered Clavier, Book I: Prelude in E Minor, BWV 855a (Arr. for Piano by A. Siloti)
Vadim Chaimovich

0:28:18 French Suite No. 3 in B Minor, BWV 814: III. Sarabande
Vadim Chaimovich

0:32:23 Goldberg-Variationen, Op. 4, BWV 988: Aria
Andrea Cantù

0:37:36 Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio
Orchestra da Camera Fiorentina, Giuseppe Lanzetta

0:38:02 Suite No. 2 in B Minor, BWV 1067: III. Sarabande
Orchestra da Camera Fiorentina, Giuseppe Lanzetta, Andreas Blau

0:41:00 Suite No. 2 in B Minor, BWV 1067: V. Double
Orchestra da Camera Fiorentina, Giuseppe Lanzetta
Andreas Blau, flute

0:44:26 Suite No. 2 in B Minor, BWV 1067: VI. Minuetto
Orchestra da Camera Fiorentina, Giuseppe Lanzetta
Andreas Blau, flute

0:45:40 Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
Nadia David

0:48:22 Cello Suite No. 1 in G Major, BWV 1007: II. Allemande
Nadia David

0:52:54 Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande
Nadia David

0:55:50 Chorale Prelude 'Ich ruf zu dir, Herr Jesu Christ', BWV 639 (Arr. for Piano by F. Busoni)
Vadim Chaimovich

0:59:17 French Suite No. 5 in G Major, BWV 816: III. Sarabande
Vadim Chaimovich

1:04:58 Concerto No. 3 (After Alessandro Marcello's Concerto for Oboe and Strings) in D Minor, BWV 974: II. Adagio
Vadim Chaimovich

1:09:46 Notebooks for Anna Magdalena Bach: Menuet in G Minor, BWV Anh. 114
Giovanni Umberto Battel

1:11:03 Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G String (Arr. for Piano)
Giovanni Umberto Battel

1:17:24 The Well-Tempered Clavier, Book 1, Prelude and Fugue No 16 in G Minor, BWV 861
Carlo Balzaretti

1:22:14 Goldberg-Variationen, Op. 4, BWV 988: Variation 12, Canone alla Quarta
Andrea Cantù

1:25:22 Goldberg-Variationen, Op. 4, BWV 988: Variation 13
Andrea Cantù

1:29:57 Keyboard Concerto No. 2 in E Major, BWV 1053: II. Siciliano
Metamorphose String Orchestra, Pavel Lyubomudrov
Stanislav Soloviev, piano

1:35:19 Keyboard Concerto No. 3 in D Major, BWV 1054: II. Adagio
Metamorphose String Orchestra, Pavel Lyubomudrov
Stanislav Soloviev, piano

1:41:38 Keyboard Concerto No. 7 in G Minor, BWV 1058: II. Andante
Metamorphose String Orchestra, Pavel Lyubomudrov
Stanislav Soloviev, piano

1:47:50 Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande
Nadia David

1:52:23 Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande
Nadia David

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